The Exorcist Collection

Ellen Burstyn

Linda Blair

Jason Miller

Max von Sydow

Lee J. Cobb

William O'Malley

Kitty Winn

Jack MacGowran

Barton Heyman

Peter Masterson

Rudolf Schündler

Gina Petrushka

Robert Symonds

Arthur Storch

Thomas Bermingham

Vasiliki Maliaros

Titos Vandis

John Mahon

Wallace Rooney

Ron Faber

Donna Mitchell

Roy Cooper

Robert Gerringer

Mercedes McCambridge

Paul Bateson

Elinore Blair

William Peter Blatty

Mary Boylan

Dick Callinan

Mason Curry

Toni Darnay

Eileen Dietz

Joanne Dusseau

Bernard Eismann

Beatrice Hunter

Yvonne Jones

Don LaBonte

Barton Lane

Ann Miles

John Nicola

Vincent Russell

Gerard F. Yates

Rita Sakellariou

William Friedkin

Noel Marshall

Owen Roizman

Norman Gay

Evan A. Lottman

David Salven

Terence A. Donnelly

Chris Newman

Randy Nite

Ross Taylor

Richard Quinlan

Nicholas Sgarro

Jack Nitzsche

Louis DiGiaimo

Juliet Taylor

Joe Fretwell

Dick Smith

Bill Malley

Jerry Wunderlich

William A. Farley

Charles Bailey

Edward Garzero

Fred J. Brown

Marcel Vercoutere

Josh Weiner

Eugene Marks

Joseph M. Caracciolo

Nessa Hyams

C. Robert Fine

Hal Landaker

Bud S. Smith

Dan Perri

David Wynn-Jones

Rick Baker

Horror

The Exorcist

Hoya Productions

Warner Bros. Pictures

United States of America

Potential Kermode

**Shocking rather than frightening.**

Friedkin's The Exorcist is a film that shocks rather than scares. A well made film that achieved notoriety via pea soup. A slow and intelligent film with strong performances - yet also a mostly disappointing one for those who dare to go beyond the hype and actually _experience_ it for the first time. 

For a film that _does_ succeed in frightening the audience and with none of the hype - I recommend The Changeling starring George C Scott. Now **THAT** is a scary movie.

The 4K restoration of The Exorcist is absolutely stunning. Every frame has been enhanced to reveal richer textures, making the eerie details of Regan's demonic possession even more unsettling. The colours in key scenes are now more vivid, adding depth to the already tense atmosphere. Iconic moments, such as Father Merrin's arrival under the streetlight and Regan's head spin, have been revitalized, making them feel even more intense. The film's haunting interiors, from Regan's dimly lit bedroom to the unsettling atmosphere of Father Karras's moments of doubt, now have a newfound clarity that enhances the immersive terror.

The Exorcist (1973) is one of those horror films that sticks with you long after the credits roll. It sets itself apart with an eerie, slow-building tension rather than relying on cheap scares. The story follows a young girl who begins exhibiting disturbing behavior, leading her mother to seek help from both medical professionals and, eventually, the church. The plot is simple but highly effective, creating an unsettling atmosphere that feels grounded in reality. It doesn’t waste time on unnecessary subplots, keeping the focus tight and the tension high.

William Friedkin’s direction is masterful, balancing realism with the supernatural in a way that makes everything feel disturbingly possible. The opening in the desert is a great example, setting up the film’s themes with a quiet unease before shifting to the main story. The cinematography reinforces the horror without feeling over-stylized, using dim lighting, tight framing, and cold color tones to build dread. The way the camera lingers just long enough on certain shots makes you feel like you’re watching something you shouldn’t be.

The acting is phenomenal across the board, but the standout performance is from Linda Blair as the possessed girl. She delivers a chilling performance that makes the supernatural feel shockingly real. Ellen Burstyn and Max von Sydow bring depth to their roles, adding weight to the film’s emotional core. The dialogue feels natural, which makes the disturbing moments hit even harder. The script is smartly written, giving just enough exposition without over-explaining, letting the horror unfold naturally.

The sound design and score elevate the entire experience. The use of silence is just as effective as the unsettling sounds that creep in at the right moments. The film’s signature theme, Tubular Bells, is simple yet haunting, perfectly setting the tone for the film. The shock scenes are well-timed and never feel excessive, keeping the horror grounded rather than over-the-top. The Exorcist still holds up today as one of the most well-crafted horror films ever made, blending strong storytelling, unsettling direction, and incredible performances into something unforgettable.

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Quentin Tarantino on The Exorcist

Possession

The Demon Inside Regan

4K Ultra HD Extended Preview

4K Ultra HD Official Trailer

‘The Exorcist’ Director William Friedkin Has Never Made a Film for Himself | TCMFF 2023