Mary Pickford

Jack Holt

Raymond Hatton

Hobart Bosworth

Walter Long

Wallace Beery

Norman Kerry

Colleen Moore

Ramon Novarro

Sam Wood

James Neill

Ben Alexander

Guy Oliver

Edythe Chapman

Lillian Leighton

DeWitt Jennings

Olive Corbett

Lucile Dorrington

Clarence Geldart

Carl Gerard

Robert Gordon

Gordon Griffith

Charles L. MacDonald

Bernard Niemeyer

Sam Robinson

Marian Swayne

Cecil B. DeMille

Alvin Wyckoff

Joseph Levering

Clarence J. Harris

Lady Duff Gordon

Jeanie Macpherson

Cullen Tate

Wilfred Buckland

Drama

Romance

The Little American

Mary Pickford Company

United States of America

CinemaSerf

With the Great War ravaging Europe as this film was made, it’s a clear signal of patriotism from star Mary Pickford as she depicts the feisty “Angela”. She’s from wealthy stock and on her birthday is being courted by French “Count Jules” (Raymond Hatton) and by her slight favourite, the Prussian soldier “Karl” (Jack Holt). Before she has to make any choices, though, both head to their respective homes to fight. Shortly thereafter, she decides to travel to her aunt’s home in France only for her liner to be torpedoed and for her to find that when she eventually arrives at her stately pile that the Bosch are intent on billeting there and behaving abominably too. Her American status gives her a degree of protection so long as she stays out of the conflict, and her stiff-necked friend “Karl” is amongst the occupiers, but when their cruelty to the house’s staff and to an elderly gent shock her to the core, she decides that she can no longer stay on the fence. What now ensues sees her bravely attempt to help the Allied forces at great peril not just to her, but to her friend who would try to keep her as alive as his upbringing would permit! That merely invites a trial for espionage and treason and a firing squad  for both of them looms… Can they find a way to escape the bullets? This is an effective propaganda tool, this film, illustrating just how ghastly the enemy were; how indiscriminate their violence was inflicted and how generally boorish and superior they were. Pickford and Cecil B. DeMille clearly wanted to ram that point home to domestic audiences and on that front they are quite effective. It really could have done with some more light, but even dingy as it is it delivers quite a potent analysis of uniformed thuggery tempered by conflicted romance and a semblance of human decency. It has it’s zealous moments - from all sides, and in it’s way it is quite a tough film to watch as though not graphic in terms of photography, it is in terms of psychology. It has a clear message to send and is worth a watch, I’d say.