Poison Ivy Collection

Drew Barrymore

Sara Gilbert

Tom Skerritt

Cheryl Ladd

Alan Stock

Jeanne Sakata

E.J. Moore

J.B. Quon

Leonardo DiCaprio

Michael Goldner

Charley Hayward

Time Winters

Billy Kane

Tony Ervolina

Mary Gordon Murray

Julie Jay

Charla Sampsel

Angel Broadhurst

Randall Caldwell

Tom Ruben

Lisa Passero

Lawrence Levy

Sandy Roth Ruben

Warren Burton

Lena Banks

Andy Ruben

Melissa Goddard

David Michael Frank

Katt Shea

Gina Mittelman

Phedon Papamichael

Merritt Yohnka

Bonnie Greenberg

Lisa Marie Ledford

Jill Meyers

Mato

Scott Harris

Debbie Evans

Yvonne Fransson-Clamf

J.B. Rogers

Susan Stremple

Robert Hoffman

Richard K. Wright

Carole Kravetz Aykanian

Suzie Pelissier

Tim Trella

Patricia M. Peters

Donna Evans

Patrick J. Statham

Charles Croughwell

John Branagan

Birgit K. Schier

Lee Waddell

Richie Gaona

Amy Ancona

Brian Smrz

Hayden de Maisoneuve Yates

Debbie Zoller

Audrey Futterman-Stern

Marjorie Lewis

Jana Howington-Marx

Rick Nathanson

Jeffery Passero

Virginia Lee

Gunnar Swanson

Michele Munoz

René Dashiell Kerby

Ellen Gross

Peter Morgan

Rafael E. Sánchez

Christopher Faloona

Brad Blake

Bill V. Robbins

R. Russell Smith

Ken Teaney

William Morts

Jeff Habberstad

Thomas DeWier

Ted Churchill

James R. Barrows

Rodrigo Garcia

Kimberly Wright

Thriller

Drama

Poison Ivy

New Line Cinema

United States of America

**_A luscious Lolita takes over the family..._**

...that's the basic plot of 1992's "Poison Ivy" starring Drew Barrymore in the titular role. The movie comes from a long tradition of films about an alluring babysitter (or nanny or friend) taking control of the family by winning the hearts of the kids and seducing the husband. "The Babysitter" (1980) and "Summer Girl" (1983) are two examples, both TV flicks (available on youtube). In "Poison Ivy" Drew, as Ivy, plays a friend of the awkward misfit Sylvie (Sara Gilbert). Tom Skerritt plays the aloof husband and Cheryl Ladd the withering (but still beautiful) mother.

"Poison Ivy" is more stylized than the aforementioned examples and technically better due to a much bigger budget. One of its best highlights is its score, which is equal parts haunting, romantic, melancholic and beautiful. Speaking of melancholic, there's an element of sadness to the proceedings because the family is so wealthy -- living on a mansion on a hill in Los Angeles (shot on location) -- but they're so spiritually bereft. It just goes to show that all the financial success and material possessions in the world can't buy happiness and love.

Drew was almost 17 during filming and plays the sultry little tamale well, which brings up why people tend to look down on the film -- it's nothing more than a lethal Lolita tale with a slick garnishment and they write it off as trash exploitation. Regardless, it works for what it is; and, after all, does every film have to be "Ghandi"? Besides, "Poison Ivy" and similar films are more than just "trash exploitation." They're commentaries on the power of a woman or, more specifically, the power of a young beautiful female. In the story, Ivy comes from a troubled past but, as a blossoming woman, she realizes the power she wields and seems to bask in it.

I was involved with a church for a number of years and the granddaughter of the pastor was aged 17-22 at the time. She wasn't in Drew's league, as far as beauty goes yet she still had power. She would lie about people and spread rumors and, because she was the pastor's granddaughter, some morons would believe her. She started dating a naive relative of mine, who was 19 years her senior, and it was clear that she was just interested in his money. At some point she was able to get his credit card info and bought over $17,000 worth of merchandise without him knowing it until it was too late. She did everything in her power to move into his house, but his aging mother blocked the last attempt at the last minute. His mom said that she could just see the vixen pushing her down the stairs or whatever to get her out of the picture. It was even discovered that the lil' tart tried to buy life insurance on the guy, which was very odd. You can draw your own conclusions.

My point is that these lethal Lolitas exist -- young vixens who use their beauty to take control, cause havoc and ruin lives. Trash exploitation or not, it's good fodder for a movie, particularly if it's done stylishly, like "Poison Ivy".

The film is short and sweet at 88 minutes with the unrated version running 93 minutes.

GRADE: B+

English

Official Trailer

Katt Shea on Poison Ivy