Robert Duvall

Olga Bellin

Sudie Bond

Richard McConnell

Peter Masterson

William Hawley

James Franks

Johnny Mask

Effie Green

Ken Lindley

R.M. Weaver

Jack Simley

Billy Summerford

Thomas C. Coggin

William Faulkner

Horton Foote

Joseph Anthony

Michael Haley

Alan Hopkins

Lillian O. MacNeill

Barbara Tindall

Paula Roizman

Ed Brennan

Steven P. Skloot

Dick Vorisek

John J. Connor

Jess Soraci

Gilbert Pearlman

Harvey Snow

Carlos Quiles

Jimmy Battle

Irwin Stahl

Joe Slifkin

Jack Brown

Ed Engels Jr.

Dean Olive

Ellen Anthony

Ruth Dorizzi

Paul Roebling

David Blumgart

Thomas Cestare

William A. Farley

Frederic C. Weiler

George Bouillet

Allan Green

Reva Schlesinger

Drama

Romance

Tomorrow

Filmgroup Productions

United States of America

Nutshell

Robert Duvall. Can enough ever be said about his contribution to cinema? A character actor
whose immense talent couldn't and wouldn't be contained in smaller roles, quickly rose to
stardom following his debut as Boo Radley in To Kill a Mockingbird. Today Mr. Duvall is 89
years old and still working, awaiting release of his 88th film. The film Tomorrow (1972) is
largely and sadly unknown to many film lovers, even many of Duvall's fans, yet contains
what I consider to be one his finest performances to date. It is such a moving and thoughtful
tale to begin with, and Duvall's performance makes it that much better. Watch this film you will
probably see (as I did), where Billy Bob Thornton really got his inspiration for the Sling Blade
character he made famous more than 20 years later (has he ever admitted it?).

CinemaSerf

“Sarah” (Olga Bellin) is pregnant and alone when she encounters “Fentry” (Robert Duvall). He is a subsistence farmer with little but the clothes on his back, but he takes pity on this woman and invites her to stay. Gradually, there is a bond that begins to develop between the two and a fondness is soon evident as he takes greater care of her whilst asking nothing in return. He enjoys having her around and promises to marry her and help her bring up the child. Now childbirth was no easy thing and though he manages to keep to the first part of his bargain, a tragedy means his plans for the second part must be carried out differently than he’d anticipated - but he still finds an unexpected joy and fulfilment from this scenario until yet more tragedy comes his way. The building blocks of the story here all play well to a personable performance from a Duvall whom I’ve rarely seen so effective. There’s a minimum of dialogue, just some characterful acting that takes us on the most unlikely emotional journey set amidst the simplicity and isolation of their backwater Mississippi home. It’s that paucity of traditional cinematic tools that adds to the intimacy of their relationship and makes this drama all the more poignant. It’s a slow burn and the ending is maybe a little too rushed, but this is an enjoyably considered human story that’s worth a watch.

English

Tomorrow (1972) ORIGINAL TRAILER