Biljana Čekić

Marko Janketić

Vuk Kostić

Igor Đorđević

Nataša Ninković

Radoslav 'Rale' Milenković

Anja Stanić

Nikolina Friganović

Zlatan Vidović

Željko Erkić

Petar Zekavica

Sandra Ljubojević

Alisa Radaković

Bogdan Bogdanović

Marko Pipić

Nikola Radulj

Rajko Lukač

Anđela Janjić

Milica Janjić

Bojan Žirović

Nataša Drakulić

Ana Lečić

Marko Pavlovski

Marta Ćeranić

Dragoslav Medojević

Ivan Zekić

Jelena Moore

Danijela Vranješ

Tatjana Kecman

Jovo Maksić

Sara Marinković

Goran Jokić

Vesna Kljajić-Ristović

Stefan Vukić

Petar Đurđević

Aneta Tomašević

Jovan Petrović

Sanja Moravčić

Luka Šaranović

Jakov Šaranović

Simon Šaranović

Milena Nikolić

Nataša Balog

Natalija Žugić

Marija Šaranović

Andrea Forca

Maksa Ćatović

Predrag Antonijević

Ivanka Krstović

Miloš Kodemo

Aleksandra Kovač

Goran Joksimović

Predrag Petrović

Dušica Vuksanović

Roman Goršek

Filip Dedić

Drama

History

Дара из Јасеновца

Dandelion Production

Film Danas

Komuna

Serbia

There's a particular discomfort in discovering, after decades of historical education and over a hundred Holocaust-related films, that significant chapters of atrocity have remained invisible to me. "Dara of Jasenovac" delivers precisely this uncomfortable revelation, chronicling horrors at Croatia's Jasenovac concentration camp - a genocide I had never encountered in history books or cinema.

Predrag Antonijevic's unflinching film follows ten-year-old Dara through what was sometimes called "the Auschwitz of the Balkans", where the fascist Ustase regime murdered primarily Serbs, but also Jews, Roma, and political dissidents. That such a significant murder camp could remain relatively unknown in the Western conscious speaks to the politics of historical memory. What distinguishes this story is not just its focus on a lesser-known atrocity, but its disturbing examination of Croatia's independent enthusiasm for mass murder, without direct Nazi management.

"Dara of Jasenovac" functions as both historical correction and cold mirror. The film's most devastating insight is not historical but philosophical. Through Dara's eyes, we witness the seamless transformation of ordinary people into monsters. Unlike the bureaucratic, industrialized killing of Nazi death camps, Jasenovac reveals something more primal - the apparent eagerness with which humans will torture and murder their neighbors when given permission by authority.

The film's power comes largely from its uncompromising realism. Antonijevic's direction, the haunting cinematography, meticulously detailed sets, and the extraordinarily naturalistic performances - especially from Biljana Cekic as Dara - create an immersive historical world that feels horrifyingly authentic. Cekic's performance is remarkable for its restraint; her watchful eyes become our lens into this nightmare.

This movie raises the questions "How could this specific atrocity be forgotten?", and the more significant "What within human nature makes such cruelty possible?" Both these questions are terribly uncomfortable. The latter even more terrifying in the light of the rise of fascist power in the United States. That humans so readily inflict suffering on one another when ideologically sanctioned, casts the lens on the darkest side of our human nature.

"Dara of Jasenovac" is difficult, necessary cinema that reminds us that the phrase "never again" remains hollow so long as significant chapters of atrocity remain unacknowledged and the human capacity for cruelty remains unexamined.

Hrvatski

Srpski

Dara of Jasenovac

DARA OF JASENOVAC | Official Trailer | 101 Studios