Ryan Gosling

Chris Evans

Ana de Armas

Billy Bob Thornton

Jessica Henwick

Dhanush

Alfre Woodard

Regé-Jean Page

Wagner Moura

Julia Butters

Shea Whigham

Deobia Oparei

Robert Kazinsky

Daz Crawford

Callan Mulvey

Charlit Dae

Cameron Crovetti

Chris Castaldi

Jeremy Tichy

Marián Mitaš

Petr Semerád

Dana Aliya Levinson

Nadiv Molcho

Jimmy Jean-Louis

Adam Bartlett

Eme Ikwuakor

Patrick Newall

Anthony J. Vorhies

Quinn R. Somasavachai

Siri Schwartzberg

Faye Nightingale

Alexandr Minajev

Karen Jin Beck

Angela Russo-Otstot

Kate Blumberg

Becky Wu

Maria Darkina

Justin Walker White

Kaipo Schwab

Emanuel Felix

Kendall Wells

Michael Anthony Rogers

Joe Daru

Oleg Kim

Irina Aylyarova

Martin Harris

Karel Heřmánek

Michelle Twarowska

Michel Carliez

Grace Russo

Lia Mariella Russo

Camille Marquez

Brent McGee

Belén Cusí

Faouzi Brahimi

Paul Abell

Andy Watts

Steffen Aaron Dziczek

Ian Stone

R. Ben Parker

Swen Gillberg

William Barkley

Štěpán Radina

Joe Russo

Isaac Stephen Montgomery

Matthew Bellows

Marc Forget

Boone Platt

Gee Alexander

Dennis Kunkel

Steven Sievert

Gordon Tarpley

Steffen Oziczek

Kat Leroy

Tammy S. Lee

Serkan Semiz

Leo Won

Christine Choi

Judianna Makovsky

Gregory F. Anderson

Nancy Haigh

Lauren Thomas

Radim Cvancara

David Chow

Sarah Forrest

Lauren Rosenbloom

Anshuman Prasad

Eric Sundahl

Tina Roesler Kerwin

Noelle King

Paul Sonski

Fante Zamora

Mark W. Brown

Richard L. Johnson

Pavel Krejci

Neal Callow

Dan Sucharipa

Jay Wejebe

Eric Rood

Laurens Ehrmann

Shari Ratliff

Jessica Santisteban

Sarah Lopez

Joe Roth

Jake Aust

Stephen F. Windon

Scott R. Hankins

Christina Matthews

Tiffany Busche

Marina Marit

Robin McMullan

Mark Greaney

Jan Blahák

Pietro Scalia

Jeff Groth

Geoffrey Haley

Stephen McFeely

Zack Roth

Christopher Markus

Palak Patel

Vanessa Cater

Henry Jackman

Michael Miller

Dennis Gassner

Eliska Dohnalkova

Kristýna Drdová

Tom Frohling

Sheila Cyphers-Leake

Mia McGuinness

Zita Odenhalova

Cyril Oubahi

Margarita Pidgeon

Lenka Reihserova

Eliska Routova

Stacey Sokol

Joseph J. Micucci

Krista Husar

Frédérique Arguello

Alyson Black-Barrie

Silvie Janculová

Viet Luu

Page Rosenberg-Marvin

Hana Franková

Erin Harding

Katy McClintock

Johana Vrtíšková

Gregory Santoro

Andrea Carter

Zbynek Havlin

Jitka Backovska

Marie Larkin

Zuzana Slezakova

Matthew Stillman

David Minkowski

David DuMortier

Michaela Rosickova

Tereza Skákalová

Laine Trzinski

Pavlína Žďánská

Tim Browning

Jana Barosco

Lada Bímová

Martina Buhrová

Natasha Holderman

Magda Mazalová

Action

Thriller

The Gray Man

AGBO

Roth-Kirschenbaum Films

United States of America

Chris Sawin

_The Gray Man_ has some impressive action sequences, but is such a lackluster film experience overall. Most of the action is bogged down by sloppy editing where a complete absence of proper lighting ruins whatever positives the film had going for it. The talented cast does what they can with their roles, but it’s not enough to make the film entertaining. Ana de Armas is mostly forgettable apart from shooting tranquilizer darts in guy’s butts and firing a rocket launcher a few times. Tedious and sluggish with punches and kicks and kills that barely satisfy, _The Gray Man_ is a dead on arrival action thriller that squanders potential almost as often as Ryan Gosling chews gum.

**Full Review:** https://hubpages.com/entertainment/The-Gray-Man-2022-The-Yawn-Ultimatum

Manuel São Bento

MORE SPOILER-FREE REVIEWS @ https://www.msbreviews.com/

"The Gray Man holds the energetic, over-the-top, explosive action from the Russo Brothers, which should be enough to entertain the vast majority of the audience throughout the admittedly generic, predictable screenplay. Excessive camera movement occasionally sabotages the fantastic fight choreography, but nothing that lasts too long.

Regardless of the valuable technical aspects, the success of this movie is inherently connected to the superb performances from a cast packed with chemistry. Ryan Gosling demonstrates that he knows how to play an action protagonist, Chris Evans clearly has tons of fun playing a "bad guy" full of personality, Ana de Armas captivates as the sidekick badass, while Jessica Henwick is underused - the actress has done more than enough in her career to portray bigger roles.

See it in the theater, if possible."

Rating: B

CinemaSerf

Well at least this latest Netflix effort gives us some eye candy in the form of the annoyingly ageless Ryan Gosling and a slightly hammy Chris Evans, but the rest of it is derivative even by their standards. We start with a young man being released from prison by "Fitzroy" (Tommy Lee Jones) so he can join an elite CIA hit squad. Named "Six" (Gosling), his first mission is straight out of the "Mechanic" (2011) only it's an erstwhile colleague that he is sent to eradicate. A task that proves remarkably simple but is accomplished not before, luckily for us, he is given a micro chip that illustrates his new boss "Carmichael" (an underwhelming Regé-Jean Page) is about as crooked as the day is long. There now ensues a series of long "John Wick" style combat scenes as try as this hugely well equipped CIA operation does, it simply cannot capture "Six". Desperate times call for desperate measures so "Hansen" (Evans) is drafted in to finally do the business by kidnapping the easily accessible niece of the now retired TLJ, and using her as leverage he tries a different tack. Wholesale slaughter follows and along the way some lovely buildings in Prague and Croatia become neat piles of rubble; the local citizens are dropping like flies sending those in the CIA PR department into spasms... Well you get the gist. The always over-rated Ana de Armas sports quite a colourful suit at the start, but as usual her contributions are pretty unimpressive; TLJ is nowhere near his best and the thing lurches on towards a really inevitable conclusion that stretched out the thinnest of plots and showed a really disconcerting image of a CIA completely out of control, running rampage - and that scenario isn't remotely plausible. There is plenty of car-chasing, gunfights and pyrotechnic displays but that's nowhere near enough to compensate for a pretty unremarkable script and an amalgam of stories we have seen done better elsewhere, many times before. That said, if you get a chance to see it during it's limited cinema run then I'd give it a go. On television this is just subscription fodder with A-list cows that you will instantly forget.

Seing this as another run to the mill Netflix release should not keep your hopes up. Netflix is where mediocre goes to congreate to the masses.
We have another spy action movie amongst us. Last one before this was Kate, that was another bland action-spy movie.
This offers absolutely NOTHING new to the table. We seen every trick this movie offer before. Over-skilled agents. Clever coreographed fight scenes, Trick tactics, agents with no names, An agency who elimintaes their own agents, expendable kill teams, plenty conspiracies and tons of action.
But i have to say i enjoy Gosling alone in this one. He plays it cool. Its  just shame that he is backed up with a script littered with clichés from start to end.
We also have Ana De Armas who is fast becoming the new Tom Holland that appears everywhere. An actress that is milked trought the Hollywood system and spewed out to never be heard of again some day.
But the movie is for sure a worthy popcorn flick with no expetations to give. On a entertainment standpoint it delivers.

Anyone thinking the CIA is anything other than awful, should in my humble opinion, take a long look at their actual history.

Anyway, putting aside the predictable effort to set up this nasty little three letter acronym as virtuous, there's not a lot going on here.

Its your usual rather heavy handed, cruel, cynical, US action flick.

Exposition is polished but then it needs to be, because there's not a lot else on offer that I can see. Suffice to say, instantly watchable and just as forgettable.

So if you want simple action and can look past the not so subtle messaging, this is a marginally alright watch.

The Movie Mob

**Overall : The big-budget, big stars, and big action felt more like a knockoff of other action franchises than a success in itself.**

The Gray Man is the result of putting a Fast and Furious movie in a blender with Taken or John Wick and Michael Bay. The outrageous action and super cheesy dialogue try to take itself as a serious spy movie. Don’t get me wrong-it’s not a bad movie. The fight choreography is pretty good, and the Gray Man boasts an impressive A-list cast. It is a decent generic action flick. But the goofiness of Chris Evans’ villain was almost at Batman & Robin levels. I really wanted to rate this movie a little higher (like a 3.5 of 5 or 7 of 10), but it just falls short.

It's good stuff, but ought to have been so much more.

<em>'The Gray Man'</em> features all the ingredients to have become a quality movie. Unfortunately, it is simply 'just' a watchable popcorn action flick. That's not necessarily a criticism in itself, it's just that I had hoped for far greater.

Ryan Gosling puts in an entertaining performance, his dynamic with youngster Julia Butters is reminiscent of his similar showing with Angourie Rice in 2016's <em>'<a href="https://letterboxd.com/film/the-nice-guys/">The Nice Guys</a>'</em>. Chris Evans and Ana de Armas are noteworthy positives alongside Gosling.

The worldwide vibe of the story is cool, while the action sequences - aside from one 'skydiving' scene - are satisfactory enough. I enjoyed the film thus have no real complaints, it just could've/should've been something more memorable.