Tilda Swinton

John C. Reilly

Ezra Miller

Jasper Newell

Rock Duer

Ashley Gerasimovich

Siobhan Fallon Hogan

Alex Manette

Kenneth Franklin

Leslie Lyles

Paul Diomede

Michael Campbell

J. Mallory McCree

Mark Elliot Wilson

James Chen

Lauren Fox

Blake DeLong

Andy Gershenzon

Kelly Wade

Ursula Parker

Jason Shelton

Simon MacLean

Erin Darke

Annie O'Sullivan

Georgia X. Lifsher

Aaron Blakely

Polly Adams

Suzette Gunn

Joseph Melendez

Rebecca Dealy

Louie Rinaldi

Johnson Chong

Kimberley Drummond

Leland Alexander Wheeler

Daniel Farcher

Jennifer Kim

Caitlin Kinnunen

J.J. Kandel

Maryann Urbano

Jose Joaquin Perez

Tah von Allmen

Joseph Basile

Susan-Kate Heaney

Jeffrey Mowery

Paul Marra

Francesca Murdoch

Santiago Serra

Lynne Ramsay

Rory Stewart Kinnear

Paul Hiller

Christopher Milone

Cynthia O'Rourke

Maya Hardinge

Mary Fellows

Rafael Fraguada

Zach Selter

R. Vincent Smith

Malcolm Sonsire

Iván Martínez-Rufat

Robert Farr

Paul Davies

Katalina Iturralde

Jodi Baldwin

Catherine George

Heather Loeffler

Judy Becker

Charles Kulsziski

Billy Hopkins

Joe Bini

Seamus McGarvey

Jonny Greenwood

Jennifer Fox

Luc Roeg

Robert Salerno

Lisa Lambert

Paula Jalfon

Christopher Figg

Andrew Orr

Steven Soderbergh

Norman Merry

Christine Langan

Michael Robinson

Anthony Gudas

Robert Whitehouse

Simon Greenall

Suzanne Baron

Michael Corso

Leslie Thomas

Lionel Shriver

Eva Z. Cabrera

Kimberly Asa

Nicole Rivelli

Alec Jarnagin

Ken Ishii

Simon Changer

Blaise Corrigan

Chris Cenatiempo

Federico Untermann

Drama

Thriller

We Need to Talk About Kevin

BBC Film

Independent

UK Film Council

Footprint Investment

Piccadilly Pictures

Rockinghorse Films

Lipsync Productions

Artina Films

United Kingdom

United States of America

Gimly

Deeply disturbing and utterly engaging.

Not one I can really see myself watching again. But I'm very glad to have watched it the once. Superbly cast and acted. Brilliant photographed and amazing direction. Not to be missed for those who can handle the subject matter.

_Final rating:★★★½ - I strongly recommend you make the time._

Reno

**How do you define a parenting failure!**

The film was based on the book of the same name, directed by a Scottish director. A psychological thriller, one of those what some people feel uncomfortable watching it. The film holds a suspense from the past event, it is not going to be revealed until the final quarter. Till then makes us to keep guessing it. Followed by the pieces of flashback, the story of a mother who struggled to raise his first born, a boy named Kevin was told.

It takes us to show how happy she was before. Once she got pregnant, everything changed in her life forever. She failed to understand her son. Ever since he was a baby, he had given her a lot of trouble. When he reaches his teenage, it becomes even more complication to her to handle him and events around him. But a big blow is what shocks the entire neighbourhood and her life turns a hell.

Shot within a month. Tilda Swinton's one of the best, maybe the best of all the bests. She should have been nominated for the Oscars. I think that's one of the greatest snub ever. The supporting cast was amazing too, including John C. Reilly in a small part and particularly those Kevins from different ages. The overall tone was great, the atmosphere was created perfectly to the kind of story it dealt.

I should have watched it earlier, but you know the type of film we look for and moods, all some times influence to miss a film narrowly. Anyway, it was on my watch list and I am finally going to scratch that off. It was a good film, but there's nothing special. The theme was strong, and seems like straight out of a real event, particularly these things are common in the United States. So if you are an American or familiar with the American culture, it will interest you.

This is not as inspiring film, but kind of factual film like parenting failure. The end was disturbing, yet there's nothing bold revelation in the narration. Definitely an interesting take, though blaming parents, especially the mother was kind of disappointing, as well as depressing. That's why the tale was commenced since pregnant till the final twist. Actually, it was the editing tricks that make the film to have a twist. Otherwise, it is a straightforward story. Not bad for viewing once. It was slow and too long, if you think you can manage that, then you could try it.

_6/10_

Nathan

I enjoyed this, although I felt that it had potential to be really special. The direction was overall solid, with great audio and visuals beats that are present throughout the entire film. It creates subtle and eerie tension that continues to grow until the sinister climax of the film. Tilda Swinton was great and was really the only performance that stood out. John C. Reilly was such a weird choice, I do not really see him as a dramatic actor, and it kind of showed here. Ezra Miller was fine, though I thought they were a bit exaggerated. The pacing was pretty slow, I felt there was too much build up to the finale and not all of it was warranted. Two hours felt too long in my opinion. Overall, this is still a solid film with tremendous direction that is single handedly saved by Tilda Swinton.

Score: 52%
Verdict: Average

CinemaSerf

"Eva" (Tilda Swinton) and "Frank" (John C. Reilly) do make for quite an unlikely couple but that they become, marrying and having a son. He's the eponymous child with whom she simply cannot bond. She only has to look at him and he bursts into tears, or fills his nappy. She must persevere, though, hoping as he ages that things might improve. Fat chance! Indeed, when the couple have a daughter, this seems to make matters between her and him (now Jasper Newell) even worse. He's not a very pleasant character, it has to be said, and as he ages further (into Ezra Miller) he knows exactly which buttons to press ensuring both her compliance to his wishes most of the time, and that has the most miserable time whilst he plays up to his father and pretends friendship with his sister. Now dad maybe didn't think it through when he gave the youngster a toy bow and arrow set, especially as that becomes a more serious hobby for a "Kevin" who has malevolent tattooed on his forehead. You just know things are going to end badly, but maybe not quite as horrifically as they do in the conclusion. I like Miller, and I think here he adds a strong degree of calculation to his portrayal of the flawed "Kevin". He also worked increasingly effectively with an on-form Swinton whose exasperation becomes more palpable as she reaches the end of her tether, time and time again. It's delivered by way of a retrospective, so we have some clue as to the fact that something heinous happened, but we have to follow the plot to discover just what led to the scenario in which we find our story related. There's not a great deal of dialogue and what there is is reminiscent of many a parental conversation with a non-communicative child whom it's tempting to just throw under a passing bus! It is a disturbing watch, but not for the sake of it. It's one of those films that gets under your fingernails a bit, and that's down to Newell, Miller and Swinton creating a psychological maelstrom that's quite chilling.