365 Days Collection

Anna-Maria Sieklucka

Michele Morrone

Bronisław Wrocławski

Otar Saralidze

Magdalena Lamparska

Natasza Urbańska

Grażyna Szapołowska

Tomasz Stockinger

Gianni Parisi

Mateusz Łasowski

Agnieszka Warchulska

Przemysław Sadowski

Michał Mikołajczak

Andrea Batti

Mateusz Grydlik

Natalia Janoszek

Łukasz Choroń

Łukasz Dąbrowski

Rafał Iwaniuk

Reda Paweł Haddad

Sandra Majka

Ewelina Plizga

Gabriel Seweryn

Marcin Rafał Grabias

Marco de Lorenzo

Paweł Ruciński

Artur Kruczek

Marcin Markowski

Anna Wójcicka

Grzegorz Szczuka

Rafał Lenart

Łukasz Golus

Adrianna Bartkowska

Michał Frączek

Tomasz Tsirbe

Maciej Buzała

Anna Mackiewicz

Błażej Buzała

Dawid Baran

Stefano Terrazzino

Paulina Biernat

Klaudia Guze

Katarzyna Motloch

Bartek Cierlica

Ewa Lewandowska

Tomasz Mandes

Rafał Mandes

Jacek Mandes

Sławomir Mandes

Krzysztof Mandes

Piotr Mandes

Blanka Lipińska

Adrian Nawara

Marcin Józefowski

Wojciech Gromadzki

Marcin Sitko

Maciej Wróbel

Błażej Święszkowski

Krystian Minda

Katarzyna Czyżak

Adam Głąb

Laura Floriańczyk

Michał Piotrowski

Marek Serdiukow

Sabina Łozińska

Mariusz Świąder

Zbigniew Kowalski

Artur Buczyński

Klara Bartold

Marta Marczak

Jaromír Kalina 

Piotr Pędziszewski

Piotr Krzyczmonik

Andrzej Dutkiewicz

Rafał Oryga

Joanna Zygmunciak

Sebastian Stecko

Dagmara Pokromska

Andrzej Bąkowski

Krzysztof Janowski

Stanisław Zieliński

Radosław Matulka

Czesław Kałużny

Józefina Loy

Michał Sarapata

Roch Poliszczuk

Joanna Jakubik

Bernadetta Strumińska

Marek Urnańczak

Mateusz Sarapata

Michał Matlak

Piotr Kolodziejczyk

Filip Krzyżykowski

Justyna Kluczewska

Justyna Koczara

Marco Stefanelli

Dariusz Harasim

Marek Soszka

Aleksandra Karbowiak-Dajewska

Klaudia Serewiś

Maciej Szczygieł

Krzysztof Buczek

Kacper Habisiak

Karolina Makuch

Aleksandra Misiak

Marta Kurek

Marcin Kurowski

Marlena Rój

Krzysztof Klimko

Adam Szlenda

Agata Słowińska

Tomasz Dobrzeniecki

Wojciech Bąkiewicz

Zbigniew Białek

Danila Berencew

Magdalena Surawska

Anna Kobylarz

Karol Zygmunciak

Piotr Nowacki

Josh Skjold

Marzena Derkowska

Iwona Polak

Agata Karlicka

Małgorzata Soja

Barbara Białowąs

Robert Kijak

Maciej Kawulski

Marcin Drewnowski

Anna Waśniewska-Gill

Agnieszka Bartold

Agata Biedrzycka

Malgorzata Skorupa

Magdalena Sekrecka

Marcin Kasiński

Filip Kaczorek

Jacek Wiśniewski

Tomasz Klimala

Romance

Drama

365 dni

Ekipa

Future Space

Next Film

Poland

The characters and their interactions aren't interesting, the direction's flat, and the story fails to build or maintain tension or momentum, so the audience's interest is neither captured nor kept. There are one or two steamy sex scenes (and I appreciated the use of what I assume is a prosthetic dildo in the blowjob scenes) but the rest of the movie's filler. There is budget softcore stuff that's both titillating and mildly entertaining on a narrative level. This is 95% neither. This is 95% bleh.

The fuck? (pardon the pun)

It's actually impressive how diabolically terrible <em>'365 Days'</em> is. I had heard small details about how sexual this was but hadn't seen anything about the film's other aspects. Now I know why, there aren't any.

It's just one big illicit romp with practically nothing holding it together, a cynic would say this is Netflix just getting pornography on their platform through the back door (pardon the p... nevermind).

The worse part about this is the glorification of sexual violence, whether it be kidnapping or even - startlingly - rape. How the plot plays out is actually extraordinary - it turns out THIS is the way into a would-be lover's heart... who knew?! It's crazy. You could argue it's a sexually explicit retelling of <em>'Beauty and the Beast'</em>, but that's an argument for another day.

They could've done this without the aforementioned and still got the same vibe out of the film, it's bizarre why they choose to go down this direction. You can make characters hate each other before jumping into bed together, you simply do not need the criminality aspect. 

If I were to offer minor solaces of 'praise' about this 'film': the music (random Mabel is random) and the end scene, which is well shot.

If I were in the mood to watch adult content, Netflix would definitely not be my first choice. The movie I stumbled upon was a total disaster, making me extremely uncomfortable, especially when children unexpectedly walked into the room. It was a messy experience that I strongly advise against.

"365 Days" seems to be all about sex and trying to engage the audience solely on that basis. The sequel follows the same pattern, and both films are filled with excessive plot holes, acting issues, and seem to lack a meaningful storyline. It feels like they are veering towards the wrong direction, almost resembling pornography rather than a film with substance.

Despite being somewhat enjoyable, these movies left me questioning why they were even made. I only watched the sequel because I had seen the first one and felt compelled to review both at the same time, even though I found them both to be quite terrible.

Porn quality without getting to see actual porn... Poor acting, poor dialogues, poor story, only the photography passable.