Tom Hanks

Catherine Zeta-Jones

Stanley Tucci

Chi McBride

Diego Luna

Barry Shabaka Henley

Kumar Pallana

Zoe Saldaña

Eddie Jones

Jude Ciccolella

Corey Reynolds

Guillermo Díaz

Rini Bell

Stephen Mendel

Valery Nikolaev

Michael Nouri

Ana Maria Quintana

Bob Morrisey

Sasha Spielberg

Susan Slome

Mik Scriba

Jim Ishida

Carlease Burke

Stephon Fuller

Dan Finnerty

Anastasia Basil

Lydia Blanco Garza

John Eddins

Kenneth Choi

Cas Anvar

Conrad Pla

Danette MacKay

Ian Finlay

Janique Kearns

Eddie Santiago

Kevin Ryder

Dusan Dukic

Mark Ivanir

Matt Holland

Benny Golson

Buster Williams

Mike Ledonne

Carl Allen

Scott Adsit

Robert Covarrubias

Terry Haig

Jeff Michael

Dilva Henry

Michelle Arthur

Thinh Truong Nguyen

Sandrine Kwan

Carl Alacchi

Tanya van Blokland

Evelyne de la Chenelière

Laurie Meghan Phelps

Ryan Stockstad

Steven Spielberg

Mary Zophres

Sacha Gervasi

Christine Wada

Anne Kuljian

Richard C. Franklin

Michael Kahn

Brad Ricker

Laurie MacDonald

Janusz Kamiński

Debra Zane

Andrew Niccol

Patricia Whitcher

Isabelle Guay

Jason Hoffs

John Williams

Alex McDowell

Walter F. Parkes

Jeff Nathanson

Nicolas Lepage

Bruce MacCallum

Clay Liversidge

Michael Lantieri

Cha Blevins

Merrick Morton

Julia Nessling-Douglas

Cosmas Paul Bolger Jr.

George Billinger III

Kevin Blauvelt

Andrea Carter

Tannis Vallely

Odin Benitez

Karyn Huston

Johanne Paiement

Hélène Lamarre

Charles Gibson

Robert Stromberg

Charles L. Campbell

Patrick Crane

Edouard F. Henriques III

Dawn Fintor

Alicia Stevenson

Michael Trent

Greg Funk

Lucie Robitaille

Paul LeBlanc

Thomas Real

Jessica Lichtner

Brian Lukas

Johanne Gravel

Daniel C. Striepeke

Katalin Elek

John DeLuca

Cindy J. Williams

Zoltan Elek

Peter Myles

Steven Meizler

Gary Wright

Mitch Dubin

Doug Jackson

Kim Santantonio

Ron Judkins

R.J. Kizer

Vidar Neuhof

Doug Harlocker

Vanessa Lapato

Mildred Iatrou

Doug Coleman

Chris Palermo

Allen Robinson

Sandy Berumen

Frank L. Bare II

Christopher Burian-Mohr

Marc Désourdy

Javier Segura

Patrick Sabongui

Stéphane Byl

David H. Venghaus Jr.

Sergio Mimica-Gezzan

Anna Behlmer

Kurt D. Lott

Brian Machleit

David Ebner

Joey Box

Cheryl Lawson

Kerry Rossall

Marcello Bezina

Comedy

Drama

The Terminal

DreamWorks Pictures

Amblin Entertainment

Parkes/MacDonald Productions

United States of America

Click here for a video version of this review: https://youtu.be/n9WhSQ8mYPI

Tom Hanks is a perennial favourite in our house, and his 2004 movie _The Terminal_ is one that somehow I missed along the way. I’ve now fixed that and it’s time to talk about it. Let’s start with the official description:

_Victor Navorski is a man without a country; his plane took off just as a coup d’état exploded in his homeland, leaving it in a shambles, and now he’s stranded at Kennedy Airport, where he’s holding a passport that nobody recognises. While quarantined in the transit lounge until authorities can figure out what to do with him, Viktor simply goes on living - and courts romance with a beautiful flight attendant. _

A man stuck in an airport for months on end, sounds a little far fetched? Not so much - this was actually inspired by the true story of a man named Merhan Nasseri who lived at Charles DeGaulle Airport in France from August 1988 to August 2006, yes, 18 years. He got stuck when his refugee certification documents were stolen from him in France, en route from Belgium to England. It’s an incredible story, and worth reading up on on Wikipedia.

The movie is pretty light and fluffy stuff, and Hanks is well cast as the curious and friendly Navorski. He makes the most of his situation and quickly adapts to his circumstances, and makes a number of friends with various airport staff. He also makes an enemy in the character played by Stanley Tucci, the Customs Director at the airport. 

While at times it felt a bit like _Product Placement: The Movie_, it’s a charming movie that despite a few unrealistic - things like his rapid progress in a English - takes you along for a good fun ride. Hanks is great, his friends are a suitably quirky bunch, and Tucci plays the bad guy really well too. Catherine Zeta-Jones is in this too, but seems a little shoehorned in. There’s enough to work with with the “stuck in the airport” situation and didn’t really need a romantic plot line, but I guess these are the things that get done to make it appeal to a wider audience. 

It’s just been removed from the Netflix catalogue here in Australia - which was the reason I finally watched it - but if you happen to come across it, it’s a really nice film that will warm your heart for a couple of hours.

Kamurai

Great watch, will likely watch again, and do recommend.

I should be able to recommend this just based on "Tom Hanks trapped in an airport", especially given how popular "Cast Away" was.

I really love what they did with him being foreign and trap in an American airport, but being hard-working and intelligent.  I'm sure there is a "Larry the Cable Guy" version of this movie when it's a useless American trapped in another country that would be much funnier, but clearly a worse movie.

The progression of Hanks' character is wonderful, and while there are definitely components of this being a romantic movie, it is refreshing to see a movie that can hold the character's romantic motivations in parallel to the story's motivations and allow them to both be and be separate.

Stanley Tucci also does a great job, though its as a very unnecessary villain.  Yes, it's a guy doing his job, but the character is oddly motivated for someone trying to score a promotion: something they specifically point out in the movie.

My point is that not only it is a well-made, well-performed movie, but it manages to be something larger and highlights problems with us a humans, society and bureaucracy.

Peter McGinn

I may have watched The Terminal a while after it first came out, but I remembered no details, so I took the opportunity o watch it on Netflix recently. Whether or not I watched it before, I may not remember the details very well now either. It is a quiet movie with a slow moving plot. It stands in direct counterpoint to Spielberg’s Schindler’s List, which was slow moving in a way, but it had as a backdrop the murder of millions of people and one man’s character growth towards a time when he would try to save some of those lives. It’s quiet tone is interrupted by spurts of emotional and physical violence. The Terminal does not offer such exclamation points to add to suspense and tension.

That is not to say The Terminal is boring, though some may find it so. It is a character study of a man in limbo, neither in the United States nor able to leave it. He has left his country to go to New York City, and there is a coup back home, and since the United States does not recognize the new government, he is stuck in a section of JFK airport. The story is very loosely based on the story of an Iranian man. He was apparently paid to use his story, but they ended up only using the concept behind it.  

His situation reminded me of the short story I had to read back in junior high, The Man without a Country, written by Edward Everett Hale. It told the story of a fictional soldier who was charged with treason along with Aaron Burr, and who cursed the United States saying she wished he would never have to hear about the U.S. again. He was sentenced to live out his life on board various ships with nobody ever mentioning his country in his hearing again.

But back to the movie. The story is full of small moments showing **** adjusting to his limited new environment: trying to feed himself, helping a few others whether they want help or not, finding ways of amusing himself or keeping busy and, inevitably, slowing becoming involved with a flight attendant he sees often.

Most movies need a bad guy and, as if his situation wasn’t giving our hero enough headaches, the security head played by Stanley Tucci periodically plots to get our stranded traveler arrested so that huge will be relocated and therefore someone else’s problem. But I will let you discover all of the intricacies of the plot for yourself, as well as learn what is in the can of peanuts he carries around. In total The Terminal is a pleasant enough watch, but one perhaps you will want to watch while doing housework, or multitasking in some other way.

"The Terminal," starring Tom Hanks as Viktor Navorski, is more than just a heartwarming comedy about a man stuck in an airport. It's a profound exploration of human resilience, fueled by love and an indomitable spirit. The film transcends its comedic elements to reveal a powerful message about the ability of the human spirit to adapt and thrive, even in the most challenging circumstances.

Viktor's plight, thrust into a bureaucratic limbo within JFK Airport, becomes a microcosm of the human experience. He is separated from his homeland by political upheaval, facing a future shrouded in uncertainty. Yet, Viktor doesn't simply succumb to despair. Instead, he embraces his unexpected reality, turning the airport into a makeshift home, a haven for his dreams. He navigates the bustling airport life with grace, forging friendships, learning new skills, and even finding love.

His story resonates deeply, reminding us that even in the face of adversity, our innate desire for connection and purpose can prevail. Viktor's tenacity inspires us to see beyond the limitations imposed by our circumstances, to find hope and resilience within ourselves. It’s a poignant reminder that love and survival instincts can be the most powerful forces driving us forward.

However, the film also offers a unique glimpse into the overlooked world of the airport. What we often perceive as a sterile transit point becomes a vibrant microcosm of human life. Through Viktor’s journey, we witness a bustling ecosystem, teeming with diverse individuals who navigate the 24-hour cycle of this unusual environment. The film compels us to see beyond the surface, to appreciate the intricate tapestry of lives woven within this seemingly mundane space.

Ultimately, "The Terminal" is a testament to the human spirit's capacity for adaptation and perseverance. It is a film that stays with you long after the credits roll, prompting introspection about our own resilience and the hidden depths of human connection. While we may not all face Viktor's extraordinary circumstances, his story serves as a powerful reminder that within each of us lies the potential to create our own haven, to find meaning even in the most unexpected of places.