Jennifer Hudson

Forest Whitaker

Marlon Wayans

Audra McDonald

Mary J. Blige

Marc Maron

Tituss Burgess

Saycon Sengbloh

Hailey Kilgore

Tate Donovan

Skye Dakota Turner

Heather Headley

Leroy McClain

Lodric D. Collins

Brenda Nicole Moorer

Brandon Gilpin

Tangela Large

Albert Jones

Myk Watford

Gilbert Glenn Brown

Kimberly Scott

Nevaeh Moore

Victoria Paige Watkins

Christopher Daniel

Zach Strum

Jonathan Glickman

Jackie Lynch

Cassandra Powell

Frank Kern

Tracey Scott Wilson

Mark Dillon

Moe Coles

Libra Cordero

Lawrence Davis

Stevie Martin

Matt Hovland

Natasha Arellano

Robert Wilson

Harvey Mason Jr.

Kris Bowers

Irenia Vail

Paul Hsu

Jerry Yuen

Callie Khouri

Stacey Sher

Avril Beukes

Ina Mayhew

Andrea Bowman

Parra Thomas

Kate Bilinski

Sue Baden-Powell

Hunter Moore

Cathy T. Marshall

Delonda Harvey

David Vaccari

Margina Dennis

Mandrill Hardge

Tiffany Little Canfield

Suzanna Boykin

Victor Jones-Moore

Greg Crawford

Aaron Worman

Christy Caudle

Thomas Varga

Marybeth Dillon

Charmaine Balcerzak

A. Renea Dyson

Mark Wilkening

Sarah Carter

Joyce Gilliard

Genyii Scott

Kenton Jakub

Philip Stockton

Simi Wein

Julia Stockton

Kramer Morgenthau

Bernard Telsey

Tracy P. Lawrence

Ann Gray

Paul A. Levin

Leah Winkler

Ed White

Praveen Allu

Thomas Kerns

Joseph Sacco

Anthony Bradley

Ed Bruce

Gary Archer

Kenyatta Williams

Rob Nagy

Ben Sumner

Caoimhe Maguire

Wendy Gipp

Crystal D. Brown

Chris McGlamery

Alex Hillkurtz

Diana Salzburg

Munee Hayes

John P. Nugent

Aldo Ruggiero

Chris LeDoux

Andrew Prescott

Duncan Key

Kade Stauduhar

Andrew Byrne

Brandon Kachel

Heather Taylor

Matt Akey

Daniel L. Smith

Nicholas Daniels

Brad Kalinoski

Daniel Dupre

Christopher Cheng

Adam Keane

Liesl Tommy

Scott Bernstein

Jason Cloth

Aaron L. Gilbert

Clint Ramos

Michael Heathcote

Caitlin Nobari

Drama

Music

History

Respect

Metro-Goldwyn-Mayer

Bron Studios

One Community

Chislehurst Entertainment

Harvey Mason Media

Glickmania

United States of America

Canada

Peter McGinn

This was a good movie, and I enjoyed it. However, I don’t expect I will ever watch it a second time. In a way, it felt like I had already seen it. And I get why: the experiences of women, even celebrity women, often mirror each other when it comes to strict fathers, as=busive first husbands, and so on. The reason we have cliches is that a lot of stuff that happens is so common it becomes a cliche. I only wish the movie had surprised me once in a while when it came to the two-dimensional portrayal of those characters.

There were a few little surprises like that: the change in Aretha’s reaction to the Muscle Shoals Rhythm Section backup band, a moment with her father late in the film, and a few other places. But mostly  it all seemed familiar. But still, I like the movie and recommend it.

CinemaSerf

Much has been made of the late Aretha Franklin's choice of actress to portray her in this early career retrospective - but I wonder what she might have made of the rest of the cast? Jennifer Hudson is superb when she sings, she captures much of the range and vitality of Ms Franklin. Unfortunately, as an actress she fares a little less well, and coupled with a really mediocre supporting cast the film drags quite frequently. The chronology of the story is simple enough, depicting the transition from innocent young girl - a sort of vocal trophy for her father, woken up to enthusiastically perform to the great and the good at house parties - through her disputes with the same strongly willed father (Forest Whitaker) as she hooks up with 12-years older Ted White (Marlon Wayans) and starts her bumpy road to stardom. Maybe had there been more actual opportunity for Hudson to deliver more songs, then the film would have stood out more - but there is too much emphasis on the (frankly, occasionally quite horrifying) domestic problems that rather turn this into an authentic, but still rather uninteresting tale of drink induced family woes. Certainly, these go some way to explaining the gritty determination of the woman to succeed, but they are allowed a dominance in the film that after a while become a little bit cyclical, dull even. What is clearly evident is her pride in her race, but that was also inclusive - she worked with people based on their skills and abilities regardless of their colour - including the Muscle Shoals Rhythm Section - and that proves testament to a woman prepared to demonstrate a free thinking that was well ahead of it's time. Marc Maron works quite well as her long-suffering Atlantic records producer Jerry Wexler and Mary J. Blige turns in an interesting interpretation of a slightly temperamental Dinah Washington, but for the main it's all down to Hudson and she just needed to focus more on the wonderfully powerful portfolio of songs and less on the somewhat clunky drama. Stick around for the very end - there is a great "bonus track" from the lady herself.

English

Aretha Franklin's Got 4 Albums, But No Hits - Extended Preview

Screenwriter Tracey Scott Wilson on Respect

RESPECT | The Origin of “Respect” Official Clip | MGM Studios

RESPECT |  "Think" Official Clip | MGM Studios

RESPECT | Jennifer Hudson and Marlon Wayans Teach You How to Demand Respect | MGM Studios

RESPECT | Official Clip: Jennifer Hudson as Aretha Franklin Performs "Respect" | MGM Studios

RESPECT | The Queen’s Court – Cast Featurette | MGM Studios

RESPECT | In Theaters Now | MGM Studios

RESPECT | Jennifer Hudson Becomes Aretha Franklin – First Look Featurette | MGM

Official Trailer

Official Teaser Trailer

Jennifer Hudson is Aretha Franklin