Bill Murray

Rashida Jones

Marlon Wayans

Jessica Henwick

Jenny Slate

Liyanna Muscat

Alexandra Mary Reimer

Anna Chanel Reimer

Barbara Bain

Juliana Canfield

Alva Chinn

Mike Keller

Musto Pelinkovicci

Zora Casebere

Melissa Errico

Zoe Bullock

Chase Sui Wonders

Elizabeth Guindi

Jules Willcox

Ximena Lamadrid

Kelly Lynch

Earl Rose

Catherine G. Blair

Anne Goldrach

Waltrudis Buck

Nancy Ozelli

Chris Cenatiempo

Cliff Samara

Natia Dune

Nadia Dajani

Spice Greene

Grayson Eddey

Charlotte D'Alessio

Kim Hill

Evangeline Young

John Tropea

Romy Mars

Lance Ranzer

Guy Kozak

Katie Tuohy

Francis Ford Coppola

Christian Powell

Sofia Coppola

Roman Coppola

Youree Henley

Mitch Glazer

Mariella Navarro

Courtney Bright

Nicole Daniels

Eric Papa

Sarah Flack

Anne Ross

Amy Beth Silver

Caroline Jaczko

Philippe Le Sourd

Fred Roos

Thomas Mars

Deck d'Arcy

Laurent Brancowitz

Christian Mazzalai

Stacey Battat

Richard Beggs

Curtis Smith

Brad Robinson

Brian Smyj

Richard Keeshan

Eva Z. Cabrera

Jennifer Dehghan

Robert Nagle

Mark Odgers

Nitasha Bhambree

Declan Mulvey

Jeffrey Lee Gibson

Derric J. Stotts

Noah Schultz

Alex Anagnostidis

James Northrup

Dean Marrazzo

Turner Smith

Freddy Esposito

Clint Reynolds

Ann Carton

Billy Darrer

Mike Matera

Mick O'Rourke

Scott Kelly

Jen Egan

Rick Gioia

Jordan Levie

Vince J. Vennitti

Toshiro Yamaguchi

JoJo Whilden

Ken Ishii

Anguibe Guindo

Jack Coffen

Silvio Marfe

Michael Gallart

Ted Lehane

Wesley Battle

Ben D'Andrea

Austin Behan

John Halligan

Igor Ibradzic

Lee Walker

David Schanker

Joanna Leavens

Benjy Harris

Cailey Breneman

Marie Seifts

Jessica Calderón

Joanna Brett

Mary Caprari

Erica Suzanne Scott

Laurette Partridge

Evelyne Noraz

Jackie Risotto

Christine Hooghuis

Kristen Kiyan

April Schuller

Claire Mahony

Theresa Marra-Siliceo

Steve Darius

Frances Hannon

Christie Mullen

Tom Sexton

Scott Ferlisi

Sussan Cordero

Patricia Porter

Drama

Comedy

Romance

On the Rocks

American Zoetrope

United States of America

SWITCH.

Perhaps my expectations were too high, but I wanted so much more than the product we ended up with here. While I enjoyed 'On The Rocks', I can't push myself past saying it was simply cute and sweet - and while it bolstered my love of Bill Murray just a little further, for Rashida Jones it just made me shrug.
- Jess Fenton

Read Jess' full article...
https://www.maketheswitch.com.au/article/review-on-the-rocks-another-sophia-coppola-and-bill-murray-collab-with-a-splash-of-water

Manuel São Bento

If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

Before jumping into the movie itself, I need to offer my appreciation for Sofia Coppola's career so far. With such a renowned filmmaker as a father (Francis Ford Coppola, the famous director behind the classic The Godfather trilogy, Apocalypse Now, and much more), Sofia was able to create a distinct career, avoiding condescending comparisons with her father's success. Most people in her situation would crumble to the pressure and succumb to a total failure. Fortunately, Sofia started showing her own unique talent early by delivering one of the best rom-coms of the 2000s, Lost in Translation (only her second feature film). Therefore, I was actually pretty interested in the simple premise of On the Rocks.

This latest installment in Sofia's filmography continues one of her trademark characteristics: a light movie that addresses not-that-light themes. The main narrative follows the answer to a binary question: is Laura's (Rashida Jones) husband, Dean (Marlon Wayans), having an affair? The two possible outcomes don't allow the film to carry any impactful surprises regarding this storyline, but Sofia writes a screenplay filled with astonishingly captivating character interactions, mostly between Laura and her father, Felix (Bill Murray). The movie's beginning focuses on demonstrating Laura's day-to-day basis, developing this character in an exceptionally smooth manner.

These first minutes without Felix in the picture establish Laura's mental state perfectly. Her feelings, thoughts, doubts, everything is shared with the viewer either through clean exposition or subtle expressions from the remarkable Rashida Jones, who delivers a nuanced, extremely rich performance. Then, enter the phenomenal Bill Murray. Felix is a charming yet complicated old man who can't be around a woman without hitting on her or stating dumb things like, "I think I'm getting deaf to women's voices". His relationship with her daughter seems quite close to the point of Laura trusting his crazy conspiracy theories based on exaggerated facts.

Here lies my number one issue with the film. Until the third act, I could describe On the Rocks in one word: real. Every scene, conversation, or action is displayed in such a realistic way that I struggle to find a single sequence that didn't need to be in the movie. At the end of each scene, the viewer always learns something new, whether about a character, an event, or merely a detail of someone's life. However, the last half-an-hour takes the main characters (father and daughter, to be clear) through a path that crosses the line of common sense and makes me doubt if Laura would truly do such a thing, based on what the film showed of her personality until then.

Nevertheless, that's not the problem. The real issue is the revelation that comes with this final act that raises a few questions concerning the father-daughter connection. I can't get into spoilers, but Sofia develops Felix as a fun, entertaining, not-to-be-taken-seriously old guy who makes a few too many jokes that maybe he shouldn't. However, after discovering a certain part of his life and how it affected his family, I partially lost empathy. The revelation is probably the only slightly surprising aspect of the movie, not because it's shocking (the film clearly points in that direction), but due to the viewer's focus being on finding out if Dean is cheating on Laura.

This new development makes me question how Laura can be so close to her father without ever showing on-screen how she dealt with this situation, especially at the very end where the subject matter is brought back into her life. Don't be mistaken by this extensive explanation, I still enjoyed the movie! I can't deny the impact of this negative issue, but it's far from destroying the film. It's beautifully produced, with every technical aspect complementing each other. Sofia controls both the pacing and the tone of the movie in a flawless fashion.

Still, Rashida Jones and Bill Murray steal the spotlight. Both deliver outstanding performances, carrying the dialogues effortlessly and fully embracing their characters' personas. Marlon Wayans is also pretty good, even though he doesn't have that much screentime. With a short runtime, the premise gets surprisingly more captivating than what I thought it was going to be. I felt significantly invested in the process of finding out the answer to the big question, and despite the partially disappointing third act, this storyline is brilliantly executed.

In the end, On the Rocks is yet another success for A24 and Apple TV+. Sofia Coppola continues her already remarkable, distinct career with another film defined by one of her trademark attributes. A serious subject depicted through a lighter perspective, possessing fascinating character interactions, and a premise that ends up being a lot more engaging (yet still somewhat predictable and formulaic) than what's expected from it. Rashida Jones and Bill Murray are genuinely impressive, sharing palpable chemistry, ultimately carrying the whole narrative on their shoulders. It doesn't feel like a movie. It feels like a real story with real people... at least until the third act, where an over-the-top, hard-to-accept sequence leads to a revelation that questions the father-daughter bond, as well as the rushed resolution of such declaration. I still recommend it as a weekend's evening pick due to its short runtime and overall enjoyable story.

Rating: B-