Eliza Scanlen

Toby Wallace

Essie Davis

Ben Mendelsohn

Eugene Gilfedder

Emily Barclay

Andrea Demetriades

Charles Grounds

Priscilla Doueihy

Jack Yabsley

Zack Grech

Quentin Yung

Renee Billing

Georgina Symes

Jaga Yap

Michelle Lotters

Tyrone Mafohla

Edward Lau

Sora Wakaki

Justin Smith

Arka Das

Erin Lander

Greg Hatton

Shannon Murphy

Rita Kalnejais

Jan Chapman

Alex White

Vanessa Brown

Stephen Evans

Kirsty McGregor

Stevie Ray

Sherree Phillips

Amelia Gebler

Ishtar Cavagnino

Bill Goodes

Andrew Commis

Amanda Brown

Angela Conte

Nick Emond

Sam Hayward

Gerry Nucifora

Angus Robertson

Rose Saffioti

John Magee

Elle Reid

Jacob Weir

Jamie Cranney

Aaron Healey

Emma Paine

Ben Hunt

Yoshi Kwan

Pernilla Finne

Joel Eames

David Griffiths

Thomas Rolfe

Holly Preston

Nicole Bowman

Will Pearce

Erin Kate Westhoff

James MacBeth

Melina Burns

Lisa Tomasetti

Greta Bridekirk

Kevin Greene

Bernadette Elsouri

Tiffany-Jayne Martin

Harriet Dixon-Smith

Fiona Nix

Jess Moore

Nash Edgerton

Djuro Bandur

Alex Barnett

Billy Wychgel

Margi Hoy

James Cowie

John St. Denis

Duncan McAllister

Blair Slater

Drama

Comedy

Romance

Babyteeth

Create NSW

Whitefalk Films

Screen Australia

Jan Chapman Films

Spectrum Films

WeirAnderson Films

Entertainment One

Australia

SWITCH.

Stories of adolescence are some of the hardest to tell on screen in new and interesting ways, and the added complexities of terminal illness and a morally questionable teen romance that 'Babyteeth' adds to this makes the film feel like a miracle in how well it pulls almost every element off. Its cast and crew are at the top of their game, resulting in a film that's just as heartbreaking as any other teen cancer film, but elevated through a humour and cynicism, as well as incredible performances, assuring it won't be forgotten any time soon.
- Ashley Teresa

Read Ashley's full article...
https://www.maketheswitch.com.au/article/review-babyteeth-a-frustrating-but-funny-australian-teen-dramedy

CinemaSerf

Her parents (Ben Mendelssohn and Essie Davis) aren’t best pleased when their terminally ill daughter “Milla” (Eliza Scanlen) hooks up with deadbeat “Moses” (Toby Wallace). She is smitten with this older lad, but their concerns would seem to be borne out when he is caught trying to steal from this family’s extensive supply of prescription medication. Pretty swiftly, though, they realise that her routine life of medication and mollycoddling isn’t helping anyone’s mental health, so her psychiatrist dad invites “Moses” to move in with them and he agrees to prescribe as required to suit. Mum is also no stranger to anti-depressant and calming doses and so with everyone treading on psychological and chemical eggshells, this drama plays out with a certain inevitability, but in a characterful and sometimes quite poignant fashion. There’s a lot of hand-held photography and that contributes to a personal intensity as the characters try to live their lives whilst “Milla” begins her course of chemotherapy whilst “Moses” tests the faith of just about everyone, including himself! There are a few welcome distractions from the principal storyline. Mum is a musician and “Milla” has has been learning, with sporadic enthusiasm, the violin with family friend “Gidon” (Eugene Gilfedder) and their new neighbour across the street is constantly calling out “Henry” - dad’s name but also that of her constantly lost dog! Each character takes a different perspective to this prevailing situation and it’s that that makes this more interesting. Each position can be questionable; each position can be vindicated and each position proves to be adaptable as the only objective is really for “Milla” to find some degree of contentment. It’s also quite funny at times too. Sometimes darkly, sometimes in an almost childlike fashion and it’s not just the youngsters who have temperamental instances throughout this drama. In many ways it’s an observation, occasionally a little contrived, but mostly an engaging family story about belonging, loneliness and yep, even joy, too.