Norma Shearer

Leslie Howard

Lionel Barrymore

Clark Gable

James Gleason

Lucy Beaumont

Roscoe Ates

Ann Brody

Edward Brophy

James Donlan

Bess Flowers

Francis Ford

George Irving

Edward LeSaint

Sam McDaniel

Frank Sheridan

Larry Steers

Carl Stockdale

E. Alyn Warren

Hugh Wynn

Willard Mack

Adela Rogers St. Johns

Becky Gardiner

Clarence Brown

Adrian

Cedric Gibbons

Douglas Shearer

William H. Daniels

Irving Thalberg

John Meehan

A. Lindsley Lane

Milton Brown

Drama

Romance

A Free Soul

Metro-Goldwyn-Mayer

United States of America

CinemaSerf

Lionel Barrymore is on quite good form here as the drunken, but accomplished, lawyer "Ashe" who manages to get the young "Ace" (Clark Gable) off on a charge of murder (it's all to do with an hat!). Celebrating their success, the young hoodlum is introduced to the young and feisty "Jan" (Norma Shearer) and a romance soon blossoms. This disturbs the old man, so she comes up with a pact - he (her father) comes off the booze and she will stop seeing the man she has fallen in love with. To the hills they head for three months where both manage to keep to their word, but sadly his strength of character doesn't survive his first visit to a town, and so she rushes back into the rather aggressive arms of her beau who demands marriage. "Ace" isn't the only man interested in the future of the lady, though. Long time family friend "Winthrop" (Leslie Howard) is also her suitor, and when he sees how troubled she is, he takes matters into his own hands and in the end, it might just be that dipso-dad is the only thing standing between him and the chair. Gable certainly had a star quality, but as an actor I always found him rather wooden - here, this early outing illustrates his rather dry technique quite well. Howard features sparingly, and again there is little natural to his rather theatrical and over-done performance . Luckily, though, I found Shearer and Barrymore to have a charming chemistry - even if they do call each other "darling" just one too often, and the story has a rather "back were we started" conclusion that is probably for the best. Pre-code, and that is pretty noticeable in the garments Miss Shearer almost wears. Whilst nothing at all shocking by later standards, some of her gowns cling in all the right places in a fashion that would not have been permitted even five years later... It's fun, this film. It moves along nicely and I rather enjoyed watching it.

English