John Cusack

John Malkovich

Cameron Diaz

Catherine Keener

Orson Bean

Mary Kay Place

W. Earl Brown

Carlos Jacott

Willie Garson

Byrne Piven

Gregory Sporleder

Charlie Sheen

Reggie Hayes

K.K. Dodds

Judith Wetzell

Octavia Spencer

Ned Bellamy

Eric Weinstein

Madison Lanc

Kevin Carroll

Gerald Emerick

Richard Fancy

Patti Tippo

Daniel Hansen

Mariah O'Brien

Kelly Teacher

Bill M. Ryusaki

Jacqueline Benoît

William Buck

Christine D. Coleman

Jeanne Diehl

Audrey Gelfund

Yetta Ginsburg

Sylvester Jenkins

Roy C. Johnson

Eddie J. Low

Ralph W. Spaulding

David Wyler

Flori Wyler

Kevin Lee

Marlowe Bassett

Jennifer Canzoneri

Kristie Cordle

Denise Dabrowski

Kristin Condon

Charlene Grimsley

Christine Krejer

Erica Long

Yvonne Montelius

Jessica Neuberger

Sara Rifkin

Elizabeth Rivera

Chelsa Sjostrom

Pamela Hayden

Jayne Hess

Michelle Madden

Greg O'Neill

Neil Ross

Bill Wittman

David Fincher

Sean Penn

Brad Pitt

James Murray

Spike Jonze

Charlie Kaufman

Michael Kuhn

Steve Golin

Vincent Landay

Sandy Stern

Michael Stipe

Carter Burwell

Eric Zumbrunnen

Lance Acord

Justine Arteta

K.K. Barrett

Peter Andrus

Gene Serdena

Casey Storm

Richard L. Anderson

Joseph A. Brennan

Ryan Arndt

John E. Gray

Jason Barnett

Alexa Sheehan

Dan Bradley

Eric Chambers

Kim Davis-Wagner

John Ziegler

Malcolm Fife

Gary Gegan

Matthew Iadarola

Ren Klyce

Elliott Koretz

B.J. Lehn

Nick Peck

Marvin Walowitz

David Abrahamsen

Peter Ramsey

Mark S. Constance

Thomas Patrick Smith

Cris Thomas-Palomino

Bob Elmore

Jani D. Davis

Ray Lykins

Bobby Ore

Scott Rogers

Grant Mathis

Lee Waddell

David Burroughs

Dawn Solér

Tony Maxwell

Comedy

Drama

Fantasy

Being John Malkovich

Propaganda Films

Single Cell Pictures

Gramercy Pictures

United States of America

Full review: https://open.spotify.com/episode/2YaFaVOq4cOeC7BBgUgmou?si=dfb200c90b4d4e74

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While there are many movies about self discovery, self growth and identity, not many (if really any) have taken the approach of 'Being John Malkovich'. The general premise of the movie is: struggling puppeteer Craig discovers a portal allowing him to enter the mind of the actor John Malkovich. Through multiple attempts of possessing John Malkovich, he is able to take control of the actor and live his life through him. His wife, Lotte, and his new love interest Maxine are also entangled in the journey. The finale of the movie shifts the dynamics in the relationship as Lotte and Maxine find love and Craig is eventually forever trapped in a kind of 'sunken place'.

While the movies plot is somewhat straightforward and easy to follow, the movie is highly entertaining due to the great writing and screenplay along with the great pacing and performances from the small but highly talented cast (Cusack, Diaz, Keener and Malkovich). There are also enough elements of absurdity and surrealism to create this somewhat fantastical world we are immersed in. However, the real highlight of 'Being John Malkovich' is the number of ethical and philosophical questions about self identity and consciousness it evokes. 

The central question asked in this movie, is what is identity and how do we define it? The central character Craig, battles throughout the film with his desire for both power and clout. As a highly insecure struggling artist, he instantly falls for Maxine, but it's clear his desire is more about what Maxine represent's (a highly confident and seductive women) rather than who she is as an individual. She is a means to an end to help make up for all that is lacking in Craig's life. He believes that having possession of someone like Maxine would help him in his endeavour as an artist and ultimately a man. Lotte on the other hand,  while also struggling with self-acceptance, is looking for someone to fill the void which has been left by Craig through his disinterest in her romantically as her husband. Lotte appears to be somewhat of a victim throughout the film, as her struggle to find love, and embrace her own power comes through some rather difficult and unfortunate circumstances (e.g. being rejected by Maxine on multiple occasions and later being trapped in a cage with her pet Chimpanzee). Maxine, maybe the most interesting of the 3, comes across as opportunistic and rather shallow, but highly confident in contrast to Craig and Lotte. Her journey to eventual happiness comes in the way of realising the beauty within through falling in love with Lotte, but at first, only when she is in Malkovich's vessel. In contrast, her relationship with Craig when he has captured Malkovich is shallow and unsatisfying. The subtle similarities, and stark differences between these three characters leads to some interesting questions which are posed about self discovery and the journey each character takes to uncover about themselves. John Malkovich, although mostly just a device throughout the film, has perhaps the most bizarre scene in the entire movie, when he himself enters his own portal and see's a world full of different versions of himself. This scene has a number of different interpretations about how we often view ourselves, the different characters we play in our own lives, and how our subconscious can be visually represented. 

Being John Malkovich is a special movie which takes a central theme of identity and makes the audience question what that really means. It does so in a highly engaging manner, never sacrificing an engaging story for the overall deeper themes at hand. It's a movie which viewers can come back to multiple times and still be in awe.

<em>'Being John Malkovich'</em> sure is quite something! Despite not knowing the type of movie that it is, I'm always wanted to get this one watched purely because of the title. Now I've seen it, I'm pleased I've done so. It's strange on the surface, though by the end it's... almost normal?

Based on the opening and the genre it's listed under on Wikipedia, I was expecting more of an artsy sorta thing. Pleasantly, it isn't that. Of course it has deeper meaning and I'm not saying I got 100% of it, though in the end it's relatively simple. But impressive and original, no doubt.

I love that John Malkovich agreed to do this, I now read that he was apparently "half intrigued and half horrified" when he first read the script - I can see why! John Cusack, Cameron Diaz (took me a while to recognise her) and Catherine Keener are all great behind (inside?) JM.

My only criticism is that it didn't keep the humour that it shows when Craig first meets Lester, the <em>'Airplane!'</em>-esque nature of it fitted so well. Sure, there is plenty of humour in there, but the deadpan delivery of Lester (and Floris, of course) is the most amusing.