Tobey Maguire

David McCullough

Jeff Bridges

Chris Cooper

Elizabeth Banks

Gary L. Stevens

Eddie Jones

William H. Macy

Royce D. Applegate

Chris McCarron

Michael Ensign

Jesse Hernandez

Paul Vincent O'Connor

Ed Lauter

Michael O'Neill

Annie Corley

Valerie Mahaffey

Michael Angarano

Dyllan Christopher

Matt Miller

Gary Ross

Michael B. Silver

Jay Cohen

Cameron Bowen

Carl M. Craig

David Doty

James Keane

Mariah Bess

Noah Luke

Hans Howes

Finder's Key

Kevin Mangold

Peter Jason

Richard Reeves

Laura Hillenbrand

Frank Marshall

Jane Sindell

Gary Barber

Roger Birnbaum

Robin Bissell

Allison Thomas

Randy Newman

John Schwartzman

William Goldenberg

Jeannine Oppewall

Andrew Neskoromny

Leslie A. Pope

Judianna Makovsky

Gary Archer

Dan Bradley

Terri Taylor

Debra Zane

Francine Byrne

Circe Mirano

Michael Lantieri

Tom Pahk

Donald Elliott

Michael Scheffe

Eric Withee

Cari Thomas

Andrea Maxwell

Kim Lee

Richard R. Hoover

Ian Fox

Scott Lampert

Kurt E. Soderling

Andrew Rowlands

François Duhamel

Justin Holdsworth

David R. Christensen

Frank Dorowsky

Rick Harris

Shane Brott

Colleen Kelsall

Lisa Tomczeszyn

Margo Baxley

Marcia Patten

Julie Pitkanen

Carolyn Elias

Susan Germaine

Joani Yarbrough

Thomas Nellen

Sian Grigg

Lydia Milars

June Bracken

Michael Stone

Basti Van Der Woude

Heather Burton

David Leitch

Randall D. Wilkins

Chris Hogan

Constance A. Kazmer

Chris Jargo

Kimaree Long

Andy Nelson

Anna Behlmer

Tod A. Maitland

David A. Cohen

Anna MacKenzie

Ezra Dweck

Dino DiMuro

Dan Hegeman

Scott Sanders

Peter Staubli

Bruce Tanis

Christopher Assells

Karen Baker Landers

Per Hallberg

Robert Renga

Craig Heath

Mitchell Amundsen

Bill Roe

Steven Melton

Silvio Wolf Busch

Jonathan Chibnall

Adam Somner

Tad Griffith

Kathleen Kennedy

Mark W. Jones

Ben Hernandez Bray

Drama

History

Seabiscuit

Universal Pictures

DreamWorks Pictures

Spyglass Entertainment

Larger Than Life Productions

The Kennedy/Marshall Company

United States of America

***Hope for the broken via a quirky, forsaken race horse***

During the Depression, an undersized, “lazy” horse named Seabiscuit becomes a champion, lifting the spirits of both its team and that of the nation. Jeff Bridges plays the owner, Tobey Maguire the jockey and Chris Cooper the trainer. Valerie Mahaffey is on hand as the owner’s wife.

Based on the real story, “Seabiscuit” (2003) is reminiscent in tone of another timeless historical drama starring Bridges, “Tucker: The Man and His Dream” (1988) by Francis Ford Coppola. I prefer the underrated “Tucker” because it’s snappier and less vague, but “Seabiscuit” ain’t no slouch. 

Like the historically-based “Jeremiah Johnson” (1972) the manner of storytelling respects the intelligence of the viewer to sometimes read between the lines. One of the best parts is the build-up to the race with War Admiral and the thrilling race itself. Not knowing the real-life events, a couple of the twists were surprising. The first act, however, seems bogged down by extraneous details about the owner.

The film runs 2 hour, 19 minutes and was shot in California, New York and Kentucky.

GRADE: B

It wears its sentimental heart firmly on its fetlock.  

As the depression era kicks in, Americans were grasping for any sort of inspiration they could get, enter equine supreme, Seabiscuit. Considered broken down, too small and untrainable, Seabiscuit went on to become a bastion of great racehorses and in the process bringing solace to those closest to it.

Back in 2003 upon its initial release, critics were very divided as to the merits of Seabiscuit as a picture. Some were concerned that this adaptation from Laura Hillenbrand's highly thought of novel missed too many crucial elements, others were merely touting the tired old charge of the film purely baiting Oscar (something that is levelled at every film in history about hope and second chances), the more astute critics of the time however lauded it as the delightful and inspiring piece that it is.

It would be churlish of me to not agree that Seabiscuit is laced with sentiment, rookie director Gary Ross barely wastes a chance to tug the heart strings and paint an evocative sequence, but if you have got it in you to accept this true story for its base emotional point, then it is one hell of a wonderful experience. Seabiscuit is not just about the equine beauty of the picture, it's also a fusion of three men's personal wavering, who for one reason or another need the horse for far more important crutches than those provided by financial gain, make no bones about it, Seabiscuit is a very human drama. Knowing how the picture will end never once becomes a problem, because the historical accuracy in the story makes one yearn for that grandiose ending, one to gladden the heart in the way it must have done to thousands upon thousands of Americans back in the depression era day.

Ross wisely chooses to filter in as much realism as he possibly can, archive stills and narration serve as exceptional points of worth to the narrative structure. Then there is the first rate cast to fully form the emotional complexities that Seabiscuit provides. Jeff Bridges, Tobey Maguire (waif like), Chris Cooper, Elizabeth Banks, top American jockey Gary Stevens and a splendidly jaunty William H Macy, all can rightly feel proud of their respective work on this picture. Yet it's with the thundering race sequences that Seabiscuit really triumphs best, magnificent beasts hurtling around the race track are excellently handled by Ross and his cinematographer, John Schwartzman, whilst a nod of approval must go to the sound department's efforts, for this is definitely one to give your sub-woofer a work out.

Seabiscuit was nominated for seven Academy Awards, winning none, perhaps the Academy also felt like those critics who thought it was trying too hard for a Golden Statue? But now after the dust has settled some years later, it pays to revisit Seabiscuit and judge it on its own emotional terms, for it's a tremendously well crafted picture that is of course as inspirational as it most assuredly is tender, a fine fine picture indeed. 9/10

English

Seabiscuit-Trailer 1