Vladimir Vdovichenkov

Pavel Derevyanko

Aleksandr Samoylenko

Vitaliy Khaev

Oksana Fandera

Lyubov Aksyonova

Roman Perelygin

Mariya Mironova

Aleksandra Serebryakova

Yuriy Ignatenko

Andrey Polishchuk

Natalya Kudryashova

Polina Rudenko

Aleksandr Ratnikov

Oksana Syrtsova

Vasily Ignatich

Igor Ugolnikov

Nikita Panfilov

Artur Vakha

Kirill Ulyanov

Artyom Semakin

Aleksandr Vontov

Aleksandr Ilin

Vladimir Matveev

Andrey Tolshin

Klim Shipenko

Mikhail Sakulin

Valeriy Filonov

Ekaterina Novikova

Sergey Korenkov

Aleksandr Lenin

Igor Devlekamov

Irina Romasheva

Sergey Demidov

Konstantin Purusov

Kirill Bobrov

Sergey Astakhov

Ivan Burlakov

Serik Beyseu

Sergei Selyanov

Bakur Bakuradze

Natalya Smirnova

Pavel Novikov

Sergey Tyrin

Nadezhda Vasileva

Tatyana Patrakhaltseva

Elena Lukyanenko

Alexey Chupov

Natalya Merkulova

Aleksey Samolyotov

Nikita Gankin

Yuliya Mishkinene

Anton Zlatopolskiy

Ivan Burlyaev

Nikita Lopatnikov

Vladyslav Driuchyn

Dmitriy Noskov

Svyatoslav Kurashov

Mariya Sergeenkova

Action

Drama

Adventure

Салют-7

Vita Aktiva

CTB Film Company

Lemon Films Studio

Globus-film

Russia

Salyut-7 is packed with such sublime imagery that it would be possible to enjoy it without subtitles or knowledge of the Russian language — which is actually not a bad idea, because the plot has been exaggerated to such an extent that Baron Münchhausen himself wouldn’t buy it. 

In a nutshell, after contact with the Salyut 7 space station is lost, cosmonauts Vladimir Fyodorov (Vladimir Vdovichenkov) and Viktor Alyokhin (Pavel Derevyanko) are sent to try to commandeer the ship and repair it. The ensuing docking attempts, edited by Mariya Sergeenkova almost like a mating dance, provide the film's best sequences. Meanwhile, Sergey Astakhov and Ivan Burlakov's cinematography captures the most impressive and, dare I say, convincing outer space scenes I’ve seen since Ad Astra (which was actually released two years later).

Salyut-7's visual prowess, however, isn't limited to the vastness of space, and indeed thrives equally well in the confined spaces within the ship. While in orbit, the film is in general a feast for the viewer's eyes. The problem is that the filmmakers spend too much time on Earth manufacturing unnecessary and unlikely conflicts. 

The mission is a race against time for two reasons. The first has to do with the idea that NASA is carrying out a mission to recover Salyut-7 and steal Soviet secrets with the space shuttle Challenger (pre-disaster, of course), bringing the station to Earth within the shuttle's cargo bay. 

This premise would be fine for a James Bond flick, but here it only manages to detract from the gravity, if you will, of the situation. The second reason is the limited amount of oxygen, the low temperature, and other conditions that Vladimir and Viktor have to deal with, forcing them to repair the station in a few days if they don't want to die of hypoxia and/or hypothermia. 

The real-life mission actually lasted 112 days (over three months), and the astronauts wore warm clothes (in the movie they don't even have gloves). Many other events are wildly hyperbolized or shamelessly made up, while others are just plain clichés — like the guy in the control center getting all thoughtful while everyone else celebrates.

It's a shame, because Salyut-7 is, aesthetically speaking a perfect illustration of the apocryphal anecdote according to which NASA spent a lot of money developing a pen that could write in zero gravity ((feel free to substitute 'Nasa' with 'Hollywood' and 'pen that could write in zero gravity' with 'CGI')) while the Soviets simply used pencils.

Pусский

Salyut-7

SALYUT - 7 |Official Trailer HD | English Audio - 2018 | This version of the trailer can be play by any regions

Salyut - 7 (Official Trailer) | This version of the trailer can not be play by some USA regions