Adrian Titieni

Maria Dragus

Lia Bugnar

Vlad Ivanov

Emanuel Pârvu

Gheorghe Ifrim

Adrian Văncică

Tudor Smoleanu

Liliana Mocanu

Constantin Cojocaru

Claudia Susanu

Petronela Grigorescu

Robert Emanuel

Mihai Giurițan

Andrei Morariu

Kim Ciobanu

Claudiu Dumitru

Mihai Coroian

Valeriu Andriuță

Ioachim Ciobanu

Rares Andrici

Cristian Mungiu

Tudor Reu

Pascal Caucheteux

Simona Pădurețu

Luc Dardenne

Jean Labadie

Vincent Maraval

Mircea Olteanu

Jean-Pierre Dardenne

Grégoire Sorlat

Tudor Vladimir Panduru

Drama

Bacalaureat

Why Not Productions

Mobra Films

France 3 Cinéma

Les Films du Fleuve

Belgium

France

Romania

Reno

**A father's desperate attempt for his daughter.**

From the director of 'Beyond the Hills'. I have not seen many Romanian films, but a couple of his films, so I had an anticipation and it fulfilled that. If you are familiar with his works, you will love it too as well. It is an Oscar material like 'Toni Erdmann', but Romania had sent a different film. The film had achieved multiple things, including majorly highlighting the social issues and the education system, particularly from the parent's perspective. But it is basically about a father and his desperate attempts for his daughter for her better future. So it is something like 'Fathers & Daughter', but on one particular topic and the on- screen presentation was so realistic without the background score.

Everything revolved around what the title suggested. A father who is professionally a doctor wants to provide a better education for his daughter. While facing a series of vandalism, his family gets a major shock after an unexpected terrible event. It was just before the daughter's annual exam. So it seems they're all disturbed by it, but the father is still not giving up on his daughter's exam, which requires a better score to get into the best university in the world. Apart from that, his other side of the personal and professional life takes some major turns. The film reveals all his struggles while breaking some moral laws.

> ❝Sometimes, in life, it's the result that counts.❞

The tale was told from the father's perspective and that character was seen almost in every frame. A good father knows what's best for his child, but sometimes crossing limits is what they do because of love and care. On the other hand, growing up kids, especially turning eighteen means that's when they actually begin to meet the real world. So basically they want to lose their parents' influence in their life as much as possible like when a baby bird starting to stretch its wings. Those stuffs were not prioritised here, but understandable from the developments we witness.

From the social aspect, the corruption and educational demands, that's especially in the high scoring contest were the deriving plots from the main. The film could have been 10-15 minutes shorter if the father's professional side of the tale was not covered. It looked unnecessary, but fairly the part of the story when a slice of his life was what this film is about. I think not everybody sees the film's intention which is definitely not entertainment, nor inspiration, but kind of fact based on the parents.

Yeah, I would have done almost the same as what the father has done in this. But due to some parallel developments in the main story, he had to face extra pressure from his own family. So unexpected way the narration takes the turn towards the final section. That's disappointing if you had supported the father from the very beginning. But a lesson he had learnt for his approach to deal the affair that he thought is slipping away from his master plan.

Overall, a very good film, something you will learn how some people plan to deal a difficult stage of their life that's impacted by other surrounding developments. My only, slight disappointment was the crime part of the story which did not meet my expectation, but in most of the case that's how reality would be. So this is for particularly the drama film fans, because coping with the pace requires a little patience.

_7/10_

CinemaSerf

When their teenage daughter "Eliza" (Maria Dragus) has a violent altercation outside of her school, her doctor father "Romeo" (Adrian Titieni) and her librarian mother "Magda" (Lia Bugnar) are faced with quite a few complex parenting decisions - and not only do they often disagree between themselves, but their daughter is also reprioritising things and this whole commotion is causing the couple to reappraise their own relationship. "Eliza" is on the cusp of taking her final examinations that could see her study psychology at Cambridge and her parents are keen that she leave their Transylvanian community and experience a new, in their view more civilised, world. Her trauma after an attempted rape is making it difficult to concentrate and with her father pushing and pushing, she begins to reconsider just as decidedly as he is determined she shouldn't. Meantime, her mother is smoking her way thrugh 50-a-day and realising a few things of her own. This all comes to an head when we discover something rather unsavoury about "Romeo" and everything is now well and truly up in the air. Essentially, this is an unremarkable family drama the likes of which we've seen a few times before. What's a bit different here, I felt, is the standard of the writing. These actors are immersed in their characters and deliver quite potently as their predicaments expand to the point that their lives are likely to be permanently derailed - all whilst the father becomes more and more frustrated. It's perhaps this role that punches hardest. A man who has struggled to grow up under Romanian communism and who is determined that his daughter will have the best opportunities money can buy - whether she likes it or not! There are a few intrigues going on simultaneously, which remind us that though a great deal more free than thirty years earlier, there is still a degree of state snooping going on in the lives of the population. It is a bit on the long side, and there are some repetitive scenes that slow down the pace, but the roles are strongly and evocatively performed and for those with children with big decisions to make, it is bound to resonate somewhat.