Dick Powell

Jane Greer

Agnes Moorehead

Tom Powers

Gordon Oliver

Steve Brodie

Guinn 'Big Boy' Williams

Raymond Burr

Regis Toomey

Michael Steele

Olin Howland

John Berkes

Dan White

John Kellogg

Charles Middleton

John Doucette

Suzi Crandall

Burl Ives

Erville Alderson

Al Bain

Stanley Blystone

Rudy Bowman

Chet Brandenburg

Noble 'Kid' Chissell

Bing Conley

Victor Cox

Art Felix

Slim Gaut

Herman Hack

Al Hill

Robert Jefferson

Ethan Laidlaw

Cactus Mack

Frank Matts

Leo J. McMahon

Monte Montague

Bud Osborne

William Phipps

Joey Ray

Sammy Shack

Jack Stoney

Lomax Study

Marie Thomas

Jack Tornek

Sid Troy

Robert Gates

Sidney Lanfield

Frank Fenton

Winston Miller

Luke Short

Robert Sparks

Dore Schary

Heinz Roemheld

Harry J. Wild

Frederic Knudtson

Albert S. D'Agostino

Feild M. Gray

James Altwies

Darrell Silvera

Renié

Maxwell O. Henry

Joel Freeman

Russell A. Cully

Hazel Rogers

Ruby Rosenberg

Charles Straumer

Frank Williams

Dorothy B. Cormack

Margery Gutterman

Ollie Sigurdson

Gordon Bau

Terry Kellum

Francis M. Sarver

C. Bakaleinikoff

Paul R. Davison

Western

Station West

RKO Radio Pictures

United States of America

A Stranger in Rock Pass.

 

Station West is directed by Sidney Lanfield and adapted to screenplay by Frank Fenton and Winston Miller from the novel written by Luke Short. It stars Dick Powell, Jane Greer, Agnes Moorehead, Raymond Burr, Tom Powers, Guinn Williams, Gordon Oliver and Burl Ives. Music is by Heinz Roemheld and cinematography by Harry J. Wild.

 

Powell plays an undercover army agent sent into Rock Pass to find out who robbed and murdered two soldiers who were guarding a gold shipment.

 

There has always – and always will be – debates about what constitutes film noir, but undoubtedly it is a line of film making that positively thrives on a style that cloaks a number of characterisations. Thus we have the many off-shoots of film noir, such as the Noir Western. Noir Westerns in all actuality don’t number more than 20, and even some of those that get put forward are tenuous additions. Where the likes of Pursued, Ramrod and Blood on the Moon are confidently held up as the leading lights of Noir Westerns, it actually pays to look towards a rarer picture like Raton Pass or this here under seen treasure, Station West, for unseen sub-noir rewards.

 

Station West has it all so as to earn its noir badge. It’s got Powell doing a Western version of Phillip Marlowe, complete with swagger, sarcasm and the ability to nonchalantly smile in the face of peril. Then there’s Greer, fresh from Out of the Past the previous year, Greer is in full tilt femme fatale mode, marrying up her hard beauty with feminist strength. Both Powell and Greer are wonderful, their respective characters constantly jostling for domination, trading quips and glib asides, the sexual tension consistently palpable.

 

The town of Rock Pass is in the process of booming, but with that comes corruption, and it is rife, with unlikely sources pulling the crooked strings. Greed and betrayal are words that hover over the intelligent screenplay, even as the script snaps with delightful one liners and sarcastic wit, there’s a moody ambiance snuggling on up with the fun side of things, these bed fellows are meant to be. While the man himself, Haven (Powell), has a reputation for not towing the party line, he’s clearly in the right place then!

 

Filmed out of beautiful Sedona in Arizona, Harry Wild’s photography is gorgeous for the exterior locations (those rock formations are just visual orgasms), and film noir nirvana for everything else as he brings expressionistic touches to all the key sequences. In the support acting ranks we have Burr as a twitchy lawyer, Moorehead as a stoic wealthy widow, Williams as bad boy muscle, Oliver as the smarm, Powers as the grumpy un-cooperative army captain and Ives as a hotel clerk – cum – balladeer who has a morbid hobby on the side. All of them contribute good characterisations.

 

I can’t say that Roemheld’s score is particularly memorable, and a big fist-fight between Williams and Powell is ferocious but tainted by the over dramatics that were indicative of the time, but from begining to sombre end this is a cracker and it deserves to be better known and loved. 9/10

English

Station West (1948) - Fight Scene