Clive Owen

Jaeden Martell

Maria Bello

Tim Blake Nelson

Patton Oswalt

Matthew Modine

Stephen Tobolowsky

Robert Forster

Spencer Drever

Michael Eklund

Ryan Robbins

Glenn Beck

Patrick Gilmore

John Stewart

Dean Wray

Tom Pickett

Luvia Petersen

Eliza Faria

Mel Tuck

Quinn Dubois

Arkie Kandola

Kwesi Ameyaw

Scott Patey

Catherine Lough Haggquist

Jennifer Copping

Dave Collette

Garry Chalk

Elan Ross Gibson

Jeff Cardoni

Bob Nelson

Robert Halmi Jr.

Todd Hoffman

Robert Friedman

Jamie Goehring

Jonathan Shore

Kevin Leeson

Jim O'Grady

Jim Reeve

Shawn Williamson

Terry Stacey

Drama

Comedy

The Confirmation

Lighthouse Pictures

Bungalow Media + Entertainment

Sapphire Fire Limited

Canada

Reno

**Coming-of-age: A boy's real world encounter.**

For the first time direction, it is not a bad film. The 'Nebraska' writer did his best and I'm totally surprised how this little Canadian gem was not recognised extensively. In fact, it is one of the best films of the year among the PG13 ratings. A drama about a divorced freelance carpenter who babysits his son on a weekend, adventuring the city while preparing for his work on the Monday. When someone stole his tools, they both go after to look who took it and that takes the whole film to cover with some other small events on the side.

Truly a heartwarming drama. You can compare it to films like 'The Pursuit of Happiness', but it had its own way dealing with the story contents. This is not a comedy, but slightly it is fun, as well as inspiring. It narrates the world is full of good and bad, and how we react to them accordingly. Particularly the main character who was desperate to come out of the bad day and to have some quality time with his son. It actually stayed neutral on the topics like theism and atheism, which has some influence in the narration, but revolved carefully around the social and other issues. So that makes there are more things to care about than fighting for nonsenses. That was really a good thing to focus on, maybe that's why I loved it.

The opening and the end take place in the same location, but the difference was the 24 hours and its events. During that time, a boy who was struggling between what his mother believes and his doubts over those beliefs were somewhat influenced to clear his mind. I mean it was not intentional, the film to explain us through the boy, but they were described in the way of someone's daily life base, except it was not an ordinary day for him/them. It was a quite interesting take, and in the current world scenario, this is a wonderful theme for a film which also has high entertainment value.

"Well, I don't know what kind of trouble he can get in in a day."

I don't know the Christian commandment (or any religious's equivalent) that referred in it, especially the meaning of the title, but according to the writer, he wanted to tell what happens if a good behaving young boy breaks all the rule in just one day. Besides, a bit of his own life experience, as well as the outline was inspired by 'Bicycle Thieves'. I don't know how the religious people take it, but I enjoyed it, kind of it is an awareness theme about the reality of the human world. So my disappointment is not the film, but how it was received. Once again an English film from the other region was turned down by the Americans. I hope the rest of the world won't react same way.

It revolved between a father and son characters, so the side contributions were good, but does not require any praise. The Clive Owen, who I consider an ordinary actor was brilliant in this. He is not in any film franchise, especially the current trends superheroes and/or sci-fi, though happy to see him in such a beautiful one-off film. The boy was equally good, especially after the good show from 'St. Vincent', this is his another great character display. Looks like he's going to be a big name in the future.

You can't believe it is just a 2 million dollar film. Great production quality with good performances, a better outcome than usual film with the same production value. From my perspective, it is an underrated film and also an undernoticed film. A fine film for everyone, particularly for the family audience. These are reasons why children as well should watch it, like there are no sexual or drug related material in it. Though the real reason is there are some contents that might help them to understand about such as financially struggling and sober parents, the reality of the society and as a coming-of-age film, it always kept its priorities on the top while narrating the tale, especially from the children's viewpoint.

8/10

English

The Confirmation Official Trailer #1 (2016) - Maria Bello, Clive Owen Comedy HD