Charlize Theron

James McAvoy

Eddie Marsan

John Goodman

Toby Jones

James Faulkner

Roland Møller

Sofia Boutella

Bill Skarsgård

Sam Hargrave

Jóhannes Haukur Jóhannesson

Til Schweiger

Barbara Sukowa

Attila Árpa

Martin Angerbauer

Lili Gesler

Sara Natasa Szonda

Declan Hannigan

Balázs Lengyel

Daniel Hargrave

Greg Rementer

Daniel Bernhardt

Cale Schultz

Attila Hasznosi

Balázs Veres

Ronald Reagan

David Leitch

Kurt Johnstad

Nick Meyer

Dave Lovano

A.J. Dix

Todd Harris

Susie Jones

Gabriella Winkler

Tyler Bates

Jonathan Sela

Elísabet Ronaldsdóttir

Marisol Roncali

David Scheunemann

Tibor Lázár

Wolfgang Metschan

Cindy Evans

Monique Ganderton

Lilla Németh

Jon Valera

Eric Gitter

David Guillod

Antony Johnston

Ildikó Kemény

Beth Kono

Kelly McCormick

David Minkowski

Jeff Morrone

Joe Nozemack

Steven V. Scavelli

Marc Schaberg

Peter Schwerin

Ethan Smith

Lisa Widén

Zsuzsa Mihalek

Mark Rosinski

Enzo Angileri

Rita Balla

Csilla Blake-Horváth

Krisztina Fehér

Winnie Mattheus

Paul Pattison

Francesca Tolot

Vickie M. Hsieh

Mónika Nagy

Jasmina Torbati

Rickie-Lee Roberts

Roxana Szarisz

Lisa C. Satriano

István Balogh

Marcus Haendgen

Hardy Ilona

Jonas Jansson

György Mihályi

Máté Péterffy

Norbert Szekeres

Balázs Varga

Mac Ruth

Gyula Krasnyánszky

Tímea Bárdi

József Fodor

Kinga Kosá-Gavalda

Florian Hotz

Iván Orsányi

Géza Kovács

Richárd Nagy

Béla Orsányi

Domonkos Párdányi

Gábor Piroch

Péter Sokorai

Frank Bohn

Zsoka Hoka

Bea Beliczai

Klaus Große Darrelmann

Charlie Hayes

László Roráriusz

John Houlihan

Peter Cseri

Vanessa Nagy

Imre Juhász

Frank Buono

Jörg Widmer

Botond Aszalós

Jan Brun

Mark Hyde

István Török

Zoltán Lakatos

Attila Pfeffer

Jonathan Prime

Action

Adventure

Thriller

Atomic Blonde

Focus Features

Denver & Delilah Productions

87Eleven

Sierra/Affinity

Closed on Mondays Entertainment

TGIM Films

Film i Väst

Germany

Hungary

Sweden

United States of America

Gimly

I have seen it said of _Atomic Blonde_ that it is hollow piece wrapped in an attractive shell. I would respond by saying that "attractive" hardly does the shell justice, it's absolutely fucking gorgeous. Otherwise though that sounds about right.

No, in all seriousness, the plot itself is more than fine. Even the absolute worst aspects from any individual part of _Atomic Blonde_, no matter how much you pick them apart, more than pass the litmus test for minimum acceptable standard. It truly is a case of style over substance, and that is something that I can understand the complaint for. But it's style **over** substance, not style **instead of** substance. At no point did I feel that the story was cobbled together as an excuse to get to the next setpiece. The story was what it was (a pretty genuine throwback to the espionage thrillers of the late and post-Cold War era) and the aesthetic, the music, the design, was simply how that story was chosen to be delivered. And a brilliant choice at that.

Walking in, I was already certain that I was going to like the film, because even if it was just an extended version of the trailer, then it appealed enough to my personal tastes that I was in for a good time. Walking out, I knew that taking everything beyond those factors into account, I didn’t just like _Atomic Blonde_, I loved it.

_Final rating:★★★★ - Very strong appeal. A personal favourite._

Per Gunnar Jonsson

This is a good solid cold war spy story with plenty of action. I have to say that I liked this movie a lot.

I expected a fairly shallow over the top action flick with a sexy but not very bright kick-ass chick as the main protagonist. To my surprise I got something quite a bit more than that. Sure the movie is quite “Hollywoodish”, it is supposed to be a action movie after all, but it is surprisingly well done and Charlize Theron is great as the sexy, not at all stupid and very much kick-ass chick.

As a bit of a twist the story is told in the form of a debriefing at the MI6 headquarter. This type of storytelling can be a bit miss or hit since, unless the writer is good at it, it has a tendency to spoil the movie and the events already when the movie starts. I would say that in this one they got it right.

The movie is frequently quite dark and gritty which of course is fitting with the former East Germany setting. To my great delight they did not stoop to the usual dark, almost black and white, boring type of footage that you too frequently get. Instead the dark and gritty scenes are filmed in a “darkish” blue hue and the scenes actually have a lot of color in them.

The story is a fairly standard spy-is-given-a-mission-behind-the-wall-and-it-all-goes-to-hell one. As a story goes it is really not much to write home about and it has the usual plot holes and illogical twists. What makes this movie good is how it is implemented.

As I have already mentioned Charlize Theron is great in her role. She is sharp tongued, hot and kicks ass. Unlike many protagonists in movies like this one she not only administers pain but she receives it as well. Actually the movie starts with scenes of her showing off bruises all over her body (yes all of it).

To fill out the picture we get some brutal, and I mean brutal, KGB agents, the traitorous colleague, the defector and a few other characters. Together they embark on a roller coaster ride of spy work, chases, (brutal) ass kicking etc. All of it very well done as far as I am concerned. It is not the silly fx loaded blow-everything-up kind of action but instead up-personal-beat-them-up action.

I have to say that I quite liked the end of the movie as well. The twist at the end was maybe not the biggest surprise of the year but I definitely liked it. I really do not like movies that fizzles out with a bunch of loose ends and objectives not achieved. This movie is, to my great enjoyment, not one of those.

To me this movie was really good. Certainly better than I expected.

IN MY DREAMS I AM LORIANNE BROUGHTON, IN REALITY I AM MONA LISA VITO.  OH WELL A GIRL CAN DREAM.  CHARLIZE THERION IS ICEY COLD PERFECTION.

It SHOULD have been good. It is a spy movie with a basic spy movie plot. It promises double crosses and intrigue.

But it never really delivers on the suspense and tension that are the principle trope of good spy movies...and it never really delivers on the empty mindless popcorn stuffing atmosphere that are the basic tropes of action movies.

So in the end you're left with a movie that isn't tense and suspenseful enough to be "3 Days of the Condor" or "The Americans" and a movie that isn't as mindless action packed fun as James Bond.

All the elements were there, but they never seemed to pull them off. It's like that old Native American saying, "if you chase two rabbits you'll lose them both." And that's really what happened here. it tried to be two different kinds of spy movie in one and never really made it into either.

You're left wondering why you bothered. Had they picked one and went whole headlong for that goal, it could have been stellar. Instead it's luke warm at best.

Andre Gonzales

The movie wasn't that good. It does have a lot of action though. Some pretty sweet fight scenes too.

<em>'Atomic Blonde'</em> entertains!

A very stylish action-packed 115 minutes. Loved watching Charlize Theron in the lead role, a great performance from her. The whole cast are very good, though James McAvoy and Sofia Boutella stood out most to me. Some of the dialogue could've been better, while the story does get a bit overly entwined.

Still, there is no doubt that I had fun with this 2017 flick; which was David Leitch's official directorial debut. I've seen all five movies of his now and I've enjoyed all of them, albeit to varying degrees. <em>'Bullet Train'</em> is definitely my favourite! 🚆