Halle Berry

Sage Correa

Chris McGinn

Lew Temple

Jason George

Christopher Berry

Arron Shiver

Kurtis Bedford

Dana Gourrier

Carmella Riley

Kristin McKenzie Rice

Ritchie Montgomery

Kurt Krause

Lucky Johnson

Michelle DeVito

Molly Conarro

Malea Rose

Patrick Kearns

Erica Curtis

Kerry Sims

Andy Wagner

Brice Fisher

Jennie Ventriss

Timothy Fannon

Luis Prieto

Deven MacNair

Aja Frary

Nancy Nayor

Federico Jusid

Flavio Martínez Labiano

Avi Youabian

Mike Drake

Lorenzo di Bonaventura

Elaine Goldsmith-Thomas

Knate Gwaltney

Bill Johnson

Frank J. Zito III

Deanna Simmons

Denise Templeton

Neely Eisenstein

Patty Connolly

Mark Sussman

Leigha K. Lindsay

Chloe Ji Yoon

Hayley Stuppel

Nicole Garcea

Cliff Fleming

Alexander B. Hill

Anele Onyekwere

Nick South

Phil Pastuhov

Robert Foster

Simon Jayes

Michael Applebaum

Juan Miguel Azpiroz

Peter Iovino

Trenton McRae

Sergio Villegas

Kiya Maggio

Liz Arnold-Hood

Justin Wright

Steve M. Ngo

V.W. Scheich

Gresham Lochner

Anthony Clementi

Matthew Bramante

Roger Nall

Annabelle MacNeal

Vanessa Motta

Gregory Chou

Erik Howsam

Joey Tufaro

D.J. Gugenheim

Ara Keshishian

Doris Pfardrescher

Jim Seibel

Todd Trosclair

Chuck Picerni Jr.

Tucker Tooley

Ryan Kavanaugh

Ruth E. Carter

Trevor Gates

Jonathan Wales

Roee Sharon Peled

Jon Mallard

Mark C. Stevens

J.M. Logan

Sarah Webster

Taryn Terrell

Lauren Claret

Nicolas Bosc

Action

Thriller

Kidnap

Ingenious Media

di Bonaventura Pictures

Gold Star Films

Lotus Entertainment

606 Films

Well Go USA Entertainment

Rumble Entertainment

United Kingdom

United States of America

Gimly

Poorly crafted and pretty predictable, I do wonder how Halle Berry got to making movies like _Kidnap_. It's not awful, but it's obviously low-budget, and there's nothing to it that I can really see as being appealing beyond the paycheque.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._

Reno

**It's now or never! A mother's fight back!**

Truly shocking for people blindly following the words of critics. This is really a good film. I totally enjoyed it. Well, it was not like I never saw such film. In a century of motion picture history, hundreds of similar films were made. This is just another one, but there's nothing wrong with it. People wrongly judged it. The pace of the film was rocket speed. So basically, there's no time for one to keep looking for flaws. If they do, then they're not enjoying the show. They missed out everything, hence end up bashing it. Just like the clowns, aka film critics.

It was another kidnap film that Halle Barry in it, that's similar to her previous film 'The Call'. It did not take long to get into the action. A hardworking mother, going through divorce, fighting for her son's custody. While engaging in a phone call, she loses her son in an amusement park. The alert mother quickly jumps into pursuing when he was seen forcefully taken in a stranger's car. The remaining events take place on the road, with car chases, with a twist before the conclusion.

Nicely written screenplay and well performed actors, particularly Halle Berry. I have never seen she had played such an energetic role in the recent time. Whatever the storyline is, it's kind of an inspiring film. How a mother fought for her son. Totally a mother instinct. You can't simply expect like the film 'Taken'. It might not be realistic, but cinematically honest. The same thing happens in the animal world too. Sad that the film released after so many delays. Moreover, how people responded to it. Believe me, it is a nice film and I definitely suggest it to all.

_8/10_

CinemaSerf

So amidst a child custody battle, “Karla” (Halle Berry) takes her young son “Frankie” (Sage Correa) to the park for some fun. Whilst she takes an important phone call he gets snatched and she only just manages to see him squashed into a car. She quickly sets off in pursuit and for the next ninety minutes we follow her most unlikely chase. Unfortunately, she dropped her phone in the car park so has no way to summon help. Is it her disgruntled ex who is behind this? Is it maybe just someone on the production trying to save the kid from more screen time than absolutely necessary? Well mom ain’t giving up as they leave the city heading who knows where. She does manage at one stage to force a confrontation and is told that for $10k she can have him back, but that part of the storyline is so completely ridiculous that again you begin to wonder just what made Berry see anything worth doing in this increasingly preposterous film. To be fair to it’s star, she does imbue her character with a degree of panic and desperation as the thing moves along, but the scenarios are just plain ridiculous and serendipitous to be taken seriously on just about any other level. Maybe wouldn’t mess with her wielding a shovel, though,

So amidst a child custody battle, “Karla” (Halle Berry) takes her young son “Frankie” (Sage Correa) to the park for some fun. Whilst she takes an important phone call he gets snatched and she only just manages to see him squashed into a car. She quickly sets off in pursuit and for the next ninety minutes we follow her most unlikely chase. Unfortunately, she dropped her phone in the car park so has no way to summon help. Is it her disgruntled ex who is behind this? Is it maybe just someone on the production trying to save the kid from more screen time than absolutely necessary? Well mom ain’t giving up as they leave the city heading who knows where. She does manage at one stage to force a confrontation and is told that for $10k she can have him back, but that part of the storyline is so completely ridiculous that again you begin to wonder just what made Berry see anything worth doing in this increasingly preposterous film. To be fair to it’s star, she does imbue her character with a degree of panic and desperation as the thing moves along, but the scenarios are just plain ridiculous and serendipitous to be taken seriously on just about any other level and the editing and continuity are the stuff of college work. Maybe wouldn’t mess with her wielding a shovel, though,