Agyness Deyn

Peter Mullan

Kevin Guthrie

Ken Blackburn

Mark Bonnar

Stuart Bowman

Emily-Jane Boyle

Ewan Comes

Maelly Comes

Ann Overstall Comfort

Ron Donachie

Tom Duncan

David Ganly

Niall Greig Fulton

Caelan Fyfe

Jack Greenlees

Gav Guilfoyle

Linda Duncan McLaughlin

Louise Haggerty

Luca Humphries

Claire Johnston

Gilbert Johnston

Bridget McCann

Jamie Michie

John Molloy

Daniela Nardini

Julian Nest

Indigo Paul

Ian Pirie

Douglas Rankine

Hugh Ross

Anthony Strachan

Jim Sweeney

Simon Tait

Trish Mullin

Terence Davies

Bob Last

Alice de Sousa

Ros Hubbard

Victoria Dabbs

Gast Waltzing

Uli Simon

Marc Thill

Michael McDonough

David Charap

Andy Harris

Lewis Grassic Gibbon

Roy Boulter

Sol Papadopoulos

Nicolas Steil

Ruy Diaz

Ken Turner

Diana van de Vossenberg

Stephen Mason

Mags Horspool 

Susanna Lenton

Ian Neil

Natasha Francotte

Véronique Fauconnet

John Hubbard

Martin Ware

Sam Renton

Andy Rennie

Ricardo Vaz Palma

Helder Loureiro

Mike Kelt

Raoul Nadalet

Claude Kongs

Ken Fitzke

Nick Lowe

Charles Autrand

Loïc Collignon

Catherine Canaes

Richard Muller

Michele Perry

Katja Reinert-Alexis

Tom Balkwill

Drama

History

Sunset Song

Iris Productions

Hurricane Films

SellOutPictures

Luxembourg

United Kingdom

Reno

> A journey from the girlhood to womanhood.

An amazing drama about the life, especially it reveals what it would be like being a woman farmer living in the early decade of the twentieth century. The film was adapted from the book of the same name that's dealt with the rural Scottland subject. Even though I'm not familiar with the original material I would say it was one of the best novel-to-screen translation I have seen. The long runtime has never been the issue, but slowly, solidly told tale. My only disappointment is that it was not in the Scottish language since it was about a Scottish family.

There were many Scottish dialects that I did not get at first, so I had to google them to know the meaning. But I liked it which reveals the true nature of the local culture. I meant it essential to narrate a tale in the native flavour to enhance the richness in its contents. The story sets in the 1910s that centres on a farm girl named Chris. An epic life journey from the girlhood to womanhood. Under her atrocious father, the film tells how the whole family was living in the fear. After a death in the house, the event slowly begins to tear the family apart, leaving Chris behind to take the ultimate decisions about her future and the family land.

Anybody would definitely feel bored in the initiation part, because you won't understand the story right away. If you manage to survive in the first half, then you can easily get through in the remaining by liking it a lot. It was nothing like we know the story or we don't, it was simply about the twist and turns of somebody's life just like ours, except it was from a different timeline. Precisely to say the phases of life is what this film is all about. Like shifting the gear in the car, according to the condition of the road and the destination. The joy and sorrow are the part of the life which is sometimes depends on the decision we and around us make.

> "You will need to face men for yourself. When the time comes, there's no one can stand and help."

It was totally an unexpected film, kind of reminded me 'Gone with the Wind' and 'Love Comes Softly'. Focused mainly on a woman, in the men dominated world. It was not just a rural theme, but also sometimes takes us beyond to other topics. Like during the first world war and under the English dominated UK, how the Scots lost the rights and their culture disappeared. No doubt why Scots are asking for their own nation.

The romance was another turning point in the story, like raising strong from the fall. After seeing lots of similar changes, I was unable to predict what conclusion may come. But it was strong and intentional with some wonderful dialogues. I loved the beautiful landscapes from the different seasons. It was actually shot in the New Zealand, Scottland and Luxembarough. There's no expansion in the locations, mainly it sets in and around a farmhouse and very occasionally other than these parts.

The one in the Chris' shoe was amazing. Like usual, Peter Mullan was fantastic and similarly others as well in their short stay. As the story progress, consequently the film characters reshuffled. Even for us, the main character Chris is like crossing through a juncture from the coming-of-age to self-discovery. Displaying the transformation of Chris from a certain period of time was the film's great achievement. Like how a landscape change from the dawn to dust, this woman's life sees the same fate. That's what the title implies.

I don't know this British director, but this film opened a new door to me further to check it out his other works. I don't know either that everybody would like it, but it is really one of the wonderful drama of the 2015 and I recommend it to all, especially if there's no problem for you for a long story told in the slow pace. I hope they make films out of the remaining two books as well.

8/10