Joan Crawford

Melvyn Douglas

Conrad Veidt

Osa Massen

Reginald Owen

Albert Bassermann

Marjorie Main

Donald Meek

Connie Gilchrist

Richard Nichols

Charles Quigley

Gwili Andre

Clifford Brooke

George Zucco

Henry Kolker

Robert Warwick

Gilbert Emery

Henry Daniell

Sarah Padden

William Farnum

Doris Day

Victor Saville

Robert H. Planck

George Cukor

Francis de Croisset

Bronislau Kaper

Douglas Shearer

Edwin B. Willis

Marvin Stuart

Frank Sullivan

Cedric Gibbons

Edward Woehler

Adrian

Elliot Paul

Donald Ogden Stewart

Drama

Thriller

A Woman's Face

Metro-Goldwyn-Mayer

United States of America

CinemaSerf

Joan Crawford ("Anna") is on top form in this adept Cukorian adaptation of Francis de Croisset's play. Set in Sweden, she is a young girl scarred after an accident in her home many years earlier. Feeling herself rejected by society, she turns to petty blackmail with "Barring" (Conrad Veidt) and alights on the cheating wife "Vera" (Isa Massen) of plastic surgeon "Gustaf" (Melvyn Douglas). Whilst amidst her extortion attempts, she is apprehended by the doctor who mistakes her for a burglar. Persuaded not to call the police by his wife, "Gustaf" turns his attention to her disfigurement, and offers to help... Meantime, "Barring" is starting to run out of credit, so tells her of his wealthy uncle who has only a young grandson to inherit his fortune. Should anything happen to the young boy, then it would all be his - or, theirs! She pretends to be a governess and heads to look after the young lad. Will she carry out their dastardly plan and dispose of their obstacle to wealth and happiness? It's told by way of a trial at which "Anna" is the accused, so for most of the film we are not entirely sure who has been killed - or, indeed, who did any killing. The method by which each "witness" gives their statement fills in parts of the jigsaw without ever spoiling the suspense. Veidt is great as the baddie - as usual, and Richard Nichols is engaging as the mischievous four year old object of their ploy "Lars-Erik". Crawford's characterisation is strong and layered - we begin to see a little more of this flawed woman as the story progresses - even eliciting a touch of unlikely sympathy. This is a compelling drama, well paced with plenty of meat on it's bones and well worth a watch.

English

A Woman's Face (1941)