Diana Dors

Yvonne Mitchell

Michael Craig

Marie Ney

Geoffrey Keen

Liam Redmond

Olga Lindo

Joan Miller

Marjorie Rhodes

Molly Urquhart

Mary Mackenzie

Harry Locke

Michael Ripper

Joyce Blair

Charles Clay

Athene Seyler

Peggy Livesey

Mona Washbourne

Alec Finter

Marianne Stone

Mercia Shaw

Charles Lloyd Pack

Dandy Nichols

John Charlesworth

Frank Hawkins

J. Lee Thompson

Ray Martin

Joan Henry

Kenneth Harper

Gilbert Taylor

Richard Best

Harold V. King

A. G. Scott

Len Shilton

Bob Clark

Arthur Bradburn

John Cresswell

Robert Jones

Gerry Mitchell

Arthur Southgate

Val Stewart

Frederick Goode

Thelma Orr

Frederick Gotfurt

Robert Lennard

G. B. Walker

Louis Levy

Drama

Crime

Yield to the Night

Kenneth Harper Production

Associated British Picture Corporation

United Kingdom

CinemaSerf

This is a super vehicle for Diana Dors as the imprisoned "Mary". We know right from the start that she gunned down "Lucy" outside her mews cottage, and that her appeal has failed. Death row looms as she sits in her cell, accompanied at all times by two prison officers, awaiting a reprieve that may, or may not, come. Whilst she waits, we wait - and we learn a little about just what drove her to commit this cold-blooded crime. You see, she fell in love with the rather weak "Jim" (Michael Craig) and when she discovered that he was in love with someone else, she struggled to cope. Always hoping that he would choose her. When tragedy strikes, her course of revenge is set and... Most of the backstory is delivered to us as dreams; when she is awake and killing time in her room she begins to befriend "MacFarlane" (Yvonne Mitchell) - a outwardly hard-nosed woman but one in whom "Mary" begins to realise she can trust as she wrestles with her conscience, and visits from her estranged husband, her mother and her younger brother - all of whom she would rather not see. J. Lee Thompson starts this off simply and then allows Miss Dors to show us how to deliver a strong, characterful, performance. This is well paced, perhaps a little over-scored but a well delivered drama that proves compelling to watch and shows this star had plenty of serious actor strings to her bow. Well worth a watch, this film.

English

YIELD TO THE NIGHT - Film Clip

Dors on Yield to the Night

Yield To The Night 1956 - Opening titles