Jane Fonda

Lily Tomlin

Dolly Parton

Dabney Coleman

Sterling Hayden

Elizabeth Wilson

Henry Jones

Lawrence Pressman

Marian Mercer

Ren Woods

Norma Donaldson

Roxanna Bonilla-Giannini

Peggy Pope

Richard Stahl

Raymond Vitte

Edward Marshall

Alan Haufrect

Earl Boen

Jeffrey Douglas Thomas

Tom Tarpey

Michael Delano

Barbara Chase

Helene Heigh

Vicki Belmonte

Jerrold Ziman

Eric Mansker

Shirley Anthony

Michael Hehr

Gary Bisig

Brad David

Raymond O'Keefe

Vanna Salviati

Elisabeth Fraser

Les Jankey

Berniece Janssen

Terrence E. McNally

Esther Sutherland

Peter Hobbs

Gavin Mooney

David Price

Ve Neill

Colin Higgins

Reynaldo Villalobos

Terry Liebling

Ralph Nelson Jr.

Chris Soldo

Godfrey Marks

Patricia Resnick

Gary Daigler

Gregory Pickrell

Mel Cooper

Bob Wray

Jack G. Taylor Jr.

Jeff Wexler

Richard Hashimoto

Matt Sweeney

M. James Arnett

Anne D. McCulley

George Eckert

Gary Kalkin

Dean Mitzner

Chuck Gaspar

Marshall Schlom

Ann Roth

Pembroke J. Herring

Charles Fox

Richard M. Rubin

Doug Pentek

Bruce Gilbert

Nicholas Eliopoulos

Shirlee Strahm

Comedy

Nine to Five

IPC Films

20th Century Fox

United States of America

CinemaSerf

I can't help but think that if some of the folks churning out the bad-ass "girl power" nonsense of the naughties were to look back at films like this; they might see a clear demonstration of what real girl power actually is... Jane Fonda, Lily Tomlin and Dolly Parton are three working women at various stages of the corporate food chain - presided over by their womanising , parasitic boss Dabney Coleman. Initially suspicious of each other, they unite over some of Tomlin's teenage son's weed and decide to take matters into their own hands. What follows is at times a laugh-out-loud comedy as they manipulate and reek revenge on their hapless, helpless boss. It could never be called subtle, but it does illustrate clearly that wits and guile are more than enough to achieve their aims without the need for long fight scenes; flashing their flesh and/or continuous bad language. The title song isn't bad, ether...