Leslie Cheung

Tony Leung Chiu-wai

Chang Chen

Gregory Dayton

Jacky Pang

Wong Kar-Wai

Christopher Doyle

Ronny Ching Siu-Lung

William Chang

Wong Ming-Lam

Shya Wing-Hong

Wong Chi-Ming

Danny Chung Ting-Yat

Joseph Chi Chiong Chavez

Kwan Lee-Na

T.J. Chung

Manuel Puig

Chan Ye-cheng

Hiroko Shincharo

Christophe Tseng

Chang Hsien Jen

Yuen-Ching Joeris Ho

Johnnie Kong

Marcelo Bosco

Maria Janello

Tam Wing-Cheong

Wen Nien-Chung

Jo Johannes

Leung Chi-Tat

Tu Duu-Chih

Terry Tu

Tom Cundom

Chan Hon-Sung

Ha Wing-Hong

Ho Ka-Fai

Ho Po-Wing

Kwan Wing Kin

Lai Yiu-Fai

Lau Tin Wah

Lee Chi-Chiu

Alicia Schemper

Nomeri Granata

Rosa Seco

Ignacio Barbe

Mario Lopez Barriero

Stella Maris Iglesias

Tang Siu-Lam

Aili Chen

Juan Carlos Copes

Diego Erreka

James Sit La Vianda

Laurita Lin

Marcos Maffulli

Petra Maria Loaiza Roque

Norman Wang

Joe Wong

Leticia Yeh

Drama

Romance

春光乍洩

Block 2 Pictures

Seowoo Film Company

Prénom H Co. Ltd.

Jet Tone Production

Hong Kong

South Korea

Japan

CinemaSerf

I felt the opening few scenes offered great promise, they are gritty and illustrative not just of a sexuality, but also of the physical nature of a relationship. When the two men travel to Argentina however, on an holiday, it is quickly clear to all that the relationship is on it's last legs. They separate and both find themselves leading lives that neither would have sought or really want - but yet they cannot go back; don't want to go back - even though one life takes on new positive meaning, whilst the other hits the skids. It's beautifully shot with director Wong Kar-Wai making full use of the grand scenery offered by the Argentine, but somehow I think that grandeur subsumed the story. The characters are strong, and both lead actors deliver well and consistently, but I couldn't help feeling a certain element of ennui as I watched it. It would be unfair to describe it as melodrama, but somehow the characters didn't engage me. Whilst I felt sympathy for "Po-wing" (Leslie Cheung) I found him rather irritating; his introspection grated on me after a while. "Yiu-fai' (Tony Leung) offered more by way of validation - of optimism, but again it just didn't quite get my engagement genes firing. Maybe it is because European cinema has largely long since lost the ability to truly shock, that this has much less impact than I had anticipated - but though thoroughly watchable, it still left me underwhelmed.