Anne Hathaway

Rosemarie DeWitt

Bill Irwin

Debra Winger

Tunde Adebimpe

Mather Zickel

Anna Deavere Smith

Anisa George

Robyn Hitchcock

'Sister' Carol East

Beau Sia

Carol Jean Lewis

Fab 5 Freddy

Andre B. Blake

Roger Corman

Tamyra Gray

Victoria Haynes

Kyrah Julian

Roslyn Ruff

Sebastian Stan

Annaleigh Ashford

Zafer Tawil

Innbo Shim

Eliza Simpson

Quincy Tyler Bernstine

Mel Jones

Darrell Larson

Michelle Federer

Matt Stadelmann

Molly Hickok

Big Jim Wheeler

Josh Broder

Stephen Richardson

Bruce Bennetts

Paul Sparks

Caroline Goodman-Thomases

Daniel Wolff

Jill Dalton

Joe Alessi

Jordan Cael

Tiffany Little Canfield

Barry Eastmond Jr.

Brooklyn Demme

John Anthony

Herreast Harrison

Gonzales Joseph

Donald Harrison Jr.

Jim Roche

Jimmy Joe Roche

Robert W. Castle

Paul Lazar

Amir El Saffar

Dorian Missick

Tareq Abboushi

Tavish Graham

Dimitrios Mikelis

Gaida Hinnawi

Alix Derrick

Matt Rabinowitz

Stephanie McBride

Richard Maxwell

Jerome Le Page

DeQuina Moore

Joe Toutebon

Edie Hofstatter

Jaime Garcia

Julio 'Goya' Pagan

Van Hughes

Robert Merrill

Brian Nelson

David Neumann

Edisa Weeks

Heather Christian

Jennie Liu

Johnny Farraj

Joshua Elrod

Maria Dizzia

Marie Runyon

Ray Ultarte

Tymberly Canale

Anita Sarko

Joey Perillo

Christy Pusz

Jos Demme

Daphne Rubin-Vega

Marin Ireland

Joyce George

Stephany Boa

Derrick Williams

Elizabeth Hayes

Cyro Baptista

Jose Mauricio De Faria

Michelle Clay

Lisette Santiago De Faria

Silvana Marquina

Marcus Santos

Atlanta Foresyth

Eldio 'Cabello' Rolim

Tonia-Cara Forsters

Kate Rossi

H.H. Cooper

Marc Platt

Jonathan Demme

Jenny Lumet

Ilona Herzberg

Chryss Hionis

Declan Quinn

Bernard Telsey

Ford Wheeler

Emily Woodburne

Tim Squyres

Alyssa St. Vincent

Carol Cuddy

Neda Armian

Kim Jennings

Nate Grubb

Susan Lyall

Jennifer Truelove

Jill Brown

Drama

Romance

Rachel Getting Married

Clinica Estetico

Marc Platt Productions

United States of America

Rachel Getting Married left me feeling quite ambivalent. On the one hand I was really impressed with the acting (most notably from Anne Hathaway), on the other I just couldn't get myself to care. But that's really the director's doing; after all, it's his job to get me involved and to make me care about the story he's telling, and unfortunately, Jonathan Demme failed to do so with this film.

Something that throws you off right from the start is the incredibly shaky hand-held camera. There isn't a steady shot throughout the entire film. It actually gave me a headache during the first five minutes. This, in combination with the lack of proper story- and character build-up makes you feel like you're watching a home video of some stranger's wedding. And it's not particularly interesting… Strangely enough, during some parts of the film I felt like I was watching a Louis Theroux documentary, because that's exactly the way it was filmed. I expected a gangly Englishman with dark glasses to walk in at any moment and start asking questions. Actually, that might have done this film a world of good… Scenes go on way too long without there being a clear point to it, and I just have to wonder why Demme decided to go this way. I mean, he has made some really good films in the past, and I was strangely surprised to see he directed this. It looks and feels more a graduation project from some film student, which isn't necessarily a bad thing, but it is when your name is Jonathan Demme. I even fast-forwarded some parts because the scenes were really dragging and I got bored. I actually felt like turning it off a few times, and that doesn't happen to me lot.

In the end though, I'm glad I stuck with it, because the second half of the film picks up the pace and finally introduces some real character drama.

Simply put, this film is about a drug addict who gets leave from rehab for a few days to attend her sister's wedding and pretty much ruins the whole thing. Anne Hathaway is very impressive as Kym, a self-centred, reckless addict, and she plays her role convincingly. So much so even, that she manages to make you feel NOT sympathetic towards her character at all. She is completely self-absorbed and unlikable, and even steals her sister Rachel's thunder when she (Rachel) announces to her family that she is pregnant, and Kym immediately turns the conversation around and makes it all about her again, and does so on many more occasions. I know that many people who are related to drug addicts will be able to relate to these typical symptoms, so in that sense, it was all very real. On her part, Rosemarie DeWitt, who plays Rachel, was equally impressive as she firmly stood her ground as the loyalty-torn older sister who only asks to be in the spotlight for one day of her life, without her troubled sister claiming all the attention. However, the part that mostly struck a nerve with me was that of their dad, played by Bill Irwin, who is, more than anyone, caught in loyalty limbo, not wanting to have to choose sides between his two daughters. He doesn't overact his inner conflict in any way, yet he garners more sympathy than anyone, because he makes his pain so understandable.

In fact, everything about Rachel getting married is all very human and relatable. The story (written by Jenny Lumet, daughter of Sidney!) is not one any of us have never heard before, but that's alright. We don't always need super complicated psycho-analysis with characters talking like they all studied Freud for the past twenty years. Sometimes, simple stories about human troubles are enough to carry a film. It may be somewhat predictable, with a quasi-happy ending, but it's still credible enough to leave you satisfied.

And yet, I don't feel this film deserves much more than a 6, maybe a 7. And the fault of this lies entirely with the direction. The shaky home video style I mentioned earlier might work for The Blair Witch project, but not for a slow-paced character drama. And the pacing was just horrible. Some scenes were completely unnecessary and could have easily been cut down or even left out completely and nobody would have noticed. In fact, that would have helped a lot. It's really a shame, because the story is decent and the acting is great, but this is not a great film and it never will be. I do think it's worth the watch, especially if you want to see Anne Hathaway in what is probably a career-defining role. But from the man who made Philadelphia, this is a bitter disappointment.
_(October 2011)_

English

Official Trailer