Clint Eastwood

Christopher Carley

Bee Vang

Ahney Her

Brian Haley

Geraldine Hughes

Dreama Walker

Brian Howe

John Carroll Lynch

William Hill

Brooke Chia Thao

Chee Thao

Choua Kue

Scott Eastwood

Xia Soua Chang

Sonny Vue

Doua Moua

Greg Trzaskoma

John Johns

Davis Gloff

Thomas D. Mahard

Sarah Neubauer

Cory Hardrict

Nana Gbewonyo

Arthur Cartwright

Austin Douglas Smith

Conor Liam Callaghan

Michael E. Kurowski

Julia Ho

Maykao K. Lytongpao

Carlos Guadarrama

Andrew Tamez-Hull

Ramon Camacho

Antonio Mireles

Ia Vue Yang

Zoua Kue

Elvis Thao

Jerry Lee

Lee Mong Vang

Tru Hang

Alice Lor

Tong Pao Kue

Douacha Ly

Parng D. Yarng

Nelly Yang Sao Yia

Marty Bufalini

My-Ishia Cason-Brown

Clint Ward

Stephen Kue

Rochelle Winter

Claudia Rodgers

Vincent Bonasso

Nick Schenk

Bill Gerber

Jenette Kahn

Robert Lorenz

Tim Moore

Adam Richman

Tom Stern

Joel Cox

Gary D. Roach

Kathy Mooney

Janet Pound

James J. Murakami

Gary Fettis

Kimberly Jones

Tania McComas

Ellen Chenoweth

Deborah Hopper

Kyle Eastwood

Michael Stevens

Louise Holoday

Carol A. O'Connell

Kevin J. Edwards

Clifton Chippewa

Janice Alexander

John Warnke

Michael Muscarella

Edward J. Protiva

Juno J. Ellis

Lisa J. Levine

Andy Potvin

Robin Harlan

Sarah Monat

William Cawley

Jason King

Kevin Murray

John T. Reitz

Gregg Rudloff

Alan Robert Murray

Bub Asman

Julian Levi

Darin McCormick-Millett

Mark Freund

Kelly Port

Stephen S. Campanelli

Liz Radley

Tony Rivetti Jr.

Ross Dunkerley

Cheryl Scarano

Bob Peishel

Mark Sahagun

Blu Murray

Larry Stelling

Daniel J. Johnson

Chris McGeary

Patrick Mignano

Armen Ksajikian

Walt Martin

Bruce Berman

Shelagh Conley

Donald Murphy

Buddy Van Horn

Geoffrey Miclat

Buzzy Burwell

Kurt Smith

Steve Riley

Bill Coe

Lennie Niehaus

Dave Johannson

Peter Dress

Lucy Coldsnow-Smith

Katy Wood

Beth Sterner

Drama

Gran Torino

Matten Productions

Double Nickel Entertainment

Gerber Pictures

Malpaso Productions

Village Roadshow Pictures

WV Films IV

Warner Bros. Pictures

United States of America

Germany

There's a lot to unpack about <em>'Gran Torino'</em>, probably way more than I could offer an opinion on.

I fully acknowledge the talk about this film's potential impact on the world, namely for Hmong Americans (see: Bee Vang's <a href="https://www.nbcnews.com/think/opinion/covid-19-era-s-anti-asian-racism-isn-t-new-ncna1258184" rel="nofollow">op-ed</a>), and I'm not saying it's perfect one bit. I admittedly do have a difficult time separating film and real life, to me films are just fictional things but I get they can/do have real world implications.

Strictly as a film, it is entertaining. Clint Eastwood is remarkably good at being a super racist and super grumpy old man, who literally hates every single person he encounters across the opening portion of the film. His character's lines in this are nuts and his delivery with them is incredible - the look of utter disgust on Walt Kowalski's face when someone pisses him off in a new way is just amusing to watch. If not for his on point delivery, it wouldn't have worked.

Eastwood is the only actor in this worth talking about on a grander level, though I could've done without his ropey singing at the end, but I did enjoy the showings of the earlier mentioned Vang, Ahney Her and John Carroll Lynch - not that the latter does much, I just like the guy as an actor... all stems from <em>'<a href="https://en.wikipedia.org/wiki/The_Walking_Dead_(TV_series)" rel="nofollow">The Walking Dead</a>'</em>, he's in literally one episode back in 2015 and yet I always remember his character.

I'm not sold on the ending, Walt isn't exactly redeemed and it does reek of white saviour let's be real, but it didn't affect my enjoyment in film terms to be honest.

Matthew Smith

Clint Eastwood is a good director. I've seen ten of his films, one of them being “Play Misty for Me.” A film that I think is incredible. But like any director, Clint’s films can vary in quality. In the case of “Gran Torino,” it's a good film, but probably not one I'm going to rewatch very much. Clint Eastwood and Bee Vang put in great performances. Walt, played by Clint Eastwood, is a tough character to watch. His prejudices are the main reason for that. This is my view of the character, of course, so how you feel about him depends on your views. I think the ending of the film works. It's a decent end to Walt's character journey.

CinemaSerf

It's curious that the main English language awards largely ignored this, yet it won both a David and a César in Europe and is definately one of Clint Eastwood's more characterful efforts. He is the curmudgeonly "Walt" who has recently lost his wife, has an arms-length relationship with his son and looks disapprovingly as his neighbourhood ceases to be the home of "Americans"! His prize possession is his Gran Tornino car and he doesn't take to kindly to Bee Vang's "Thao" (or "Toad") trying to pinch it. Quickly, though, he sees that this young man and his sister "Sue" (Ahney Her) are being bullied by their thuggish extended family - a gang of obnoxious would-be gangsters who drive the streets picking fights and taunting people. He decides to intervene and the rest of the story sees a bond develop between him and his new "family" based on a degree of mutual understanding, trust, and "Toad" becoming his slave for a fortnight by way of penance! We are given some clues along the way as to the grand designs of "Walt" as he sets up a denouement, after a brutal assault on "Sue", that will satisfy not just himself, but keep his neighbours safe too. It's not the most naturally written dialogue, indeed at times it's quite forced but the underlying premiss of bigotry and the attitudes of intolerance and bullying are well addressed. The characterisation of the distant and prejudiced "Walt" is delivered engagingly, and with some dark humour, by a star/director who has a point to make. There's also quite a gently potent effort from Christopher Carley as the local priest. He is trying to offer the perfunctory words of hope and comfort to this veteran and he perseveres despite the dog's abuse he receives from a man who no longer feels it necessary to commit to the niceties of society. Clearly, "Walt" cares little for what is left of his life nor for any of his sins to be forgiven. It's about grief, relevance, community and I think it works. Give it a go.

English

35mm Theatrical Trailer [5.1] [4K] [FTD-1276]