Marta Nieradkiewicz

Hanna Śleszyńska

Katarzyna Herman

Marta Ścisłowicz

Kamila Urzędowska

Róża Szmidt

Mikołaj Roznerski

Olaf Lubaszenko

Konrad Eleryk

Wiktoria Bylinka

Hugo Tarres

Tadeusz Kłaczyński

Tadeusz Rolke

Julia Tychoniewicz

Ella Zaradzka

Anna Mich

Przemysław Staroń

Aleksandra Domańska

Sandra Kubicka

Paulina Raczyło

Aleksandra Petrykowska

Joanna Opozda

Piotr Gajos

Dawid Dziarkowski

Aniela Gruell

Aurelia Gruell

Kuba Kosma

Marian Kosma-Sarnowski

Marta Smuk

Agnieszka Bliżanowska

Katarzyna Próchniak-Tayara

Jakub Krysiński

Marcello Almiron

Luiza Almiron

Piotr Jeleń

Tomasz Osica

Anna Miczko

Hiroaki Murakami

Mayu Gralińska Sakai

Marcel Borowiec

Bartłomiej Gąsior

Marek Zimakiewicz

Katia Priwieziencew

Kamil Grzybowski

Aleksandra Dutkiewicz

Katarzyna Sarnowska

Witold Płóciennik

Marta Ostrowicz

Jerzy Rogiewicz

Konrad Bugaj

Joanna Kaczyńska

Karoline Herfurth

Lena Stahl

Monika Fäßler

Marta Grela-Gorostiza

Łukasz Poniński

Paweł Dutkalski

Ivor de Weydenthal

Ewa Czajkowska

Magdalena Ulejczyk

Karolina Lachowska

Natalia Niemira

Zuzanna Hencz

Drama

Comedy

Przepiękne!

Serce

Mazowiecki i Warszawski Fundusz Filmowy

TVN Warner Bros. Discovery

Mazowiecki Instytut Kultury

Poland

CinemaSerf

This is quite an entertaining portmanteau style of story that introduces us to half a dozen women who all have their problems to face and have different ways of dealing - with varying degrees of success - with these life and lifestyle challenges. Some of the scenarios do appear a little contrived, but somehow that only serves to emphasise just how little things can affect how we behave with each other, and that’s maybe best exemplified here by teacher “Agata” (Katarzyna Herman) who takes a shine to her colleague, the dashing PE teacher “Kuba” (Konrad Eleryk) but seems terrified of anything even close to commitment - whilst he proves not to be a one night stand type of guy. Then there’s the long-married “Krystyna” (Hanna Sleszynska) who can’t seem to spice things up with her loving but set-in-his-ways husband “Wladek” (Olaf Lubaszenko) - even when she dresses alluringly and wears her best perfume, or daringly enrols them for tango lessons. Each character plays a little to stereotype, but it is that very presentation that gives this a degree of authenticity dealing with plausible issues for the young and old as they struggle to keep their relationships active, interesting and relevant to each other. It’s quite humorously scripted with a degree of earthiness that makes it a little cringingly close to the mark at times and though it is written essentially from a woman’s perspective, it could easily put the shoe on the other foot and take a male position too. It’s a fun series of observations that exacerbate the silly and the earnest, the embryonic, the thriving and the redundant natures of evolving relationships and I quite enjoyed it.

Polski

Beautiful!