Colin Farrell

Q'orianka Kilcher

Christopher Plummer

Christian Bale

August Schellenberg

Wes Studi

David Thewlis

Yorick van Wageningen

Raoul Max Trujillo

Michael Greyeyes

Kalani Queypo

Ben Mendelsohn

Noah Taylor

Brían F. O'Byrne

Ben Chaplin

Jamie Harris

Janine Duvitski

Eddie Marsan

Joe Inscoe

Jake Curran

John Savage

Thomas Clair

Alex Rice

Irene Bedard

Ford Flannagan

Bev Appleton

Billy Merasty

Jonathan Pryce

Alexandra W.B. Malick

Jasper Britton

Myrton Running Wolf

E. Danny Murphy

Jonathan Gonitel

Brian Merrick

Chris Nelson

Colin Cox

Will Wallace

Steven Dawn

Rulan Tangen

Jesse Borrego

Todd Wallace

Kirk Acevedo

Nive Nielsen

Tayla Kean

Thomas Steven McDonagh

James McDonagh

Gary Sundown

Michael Goodwin

Sam Stevenson

Maria Pastel

Raynor Scheine

Jeremy Radin

Matthew Yeung

Gregory Labenz

Sarah Green

James Horner

Toby Emmerich

Emmanuel Lubezki

Mark Ordesky

Saar Klein

Terrence Malick

Trish Hofmann

Richard Chew

Mark Yoshikawa

Bill Mechanic

Hank Corwin

Rolf Mittweg

Michael Boone

Kathy Driscoll-Mohler

Francine Maisler

Jacqueline West

Garrett Warren

Patrick Tendai Pfupajena

Steve Lucas

David Crank

Jeremy Peirson

Erik Aadahl

Skip Lievsay

Derek Vanderhorst

Craig Berkey

Ed Callahan

David Atherton

Jim Erickson

Jack Fisk

Rhonda Bareford

Sandhya Shardanand

Peter La Terriere

Billy Weber

Ivan Bess

Jonathan Short

Richard Blankenship

Duncan McDevitt

Gina Baran

Paul Engelen

Joani Yarbrough

David Balfour

Susan Dudeck

Joel Dougherty

José Antonio García

Thomas J. Smith

Austin Cross

Remy Aqui

Richard Hewitt

Wendy Lanning

Michael Clark

Christa Vausbinder

Ross Balfour

Lisa Maher

Robert Binnall

John R. Bayless

Ryan Delk

Blair Rudes

Nina Sagemoen

Eva Z. Cabrera

Charles Thomas Baxter

Tony Hinnigan

Gary Duncan

Bob Foster

Pete Romano

Liv Torgerson

Philip Tallman

Peter Germansen

Charlie Bowman

Julie Callihan

Jody Levin

Jon Marson

Richard Guinness Jr.

Catharine Fletcher Incaprera

Carol Doleski

Louise Taylor

Kenneth Bryant

John Joseph Thomas

Paul Prokop

Gordon McVay

Jonathan Fuh

Bryan Pennington

Bob Shelley

Dayton Nietert

Suzi Turnbull

Simon Jones

Heather Neeld

Erik Holmberg

Jim Passon

Dominique Leroutier

Eric Bautista

Michael Singer

Philip Ivey

Heidi Vogel

Beth Morris

Cherie Bowers

Drama

History

Romance

The New World

New Line Cinema

Sarah Green Film

United States of America

**_Arty, draggy historical romance_**

I've seen four of Terrence Malick's movies -- "The New World" (2005) and his three previous efforts, "Badlands" (1973), "Days of Heaven" (1978) and "The Thin Red Line" (1998). He's an arty filmmaker who isn't interested in making conventional "blockbusters." His three earlier efforts are all well-done and in some ways great. For instance, his pictures are always beautiful and imaginative, but there's also an airy, leisurely quality that will turn off some viewers. My favorite, by far, is "The Thin Red Line," a flawed masterpiece about the taking of a hill during the Guadalcanal Campaign in WWII. It successfully transcended it's storyline to seek answers to life's most profound questions. I guess Malick does this in all his films to some degree, but he was particularly effective with "The Thin Red Line."

I mention this to stress that I'm familiar with Malick's films and understand his approach. I was really looking forward to "The New World," a historical drama detailing the establishment of the 1607 Jamestown, Virginia, colony with Captain John Smith (Colin Farrell), Pocahontas (Q'orianka Kilcher), John Rolfe (Christian Bale) and others (Christopher Plummer, Wes Studi, etc.).

Shot near the actual locations on the Chickahominy River, Virginia, the film -- to be expected -- is beautiful to look at and the costumes, casting, etc. are all top-of-the-line. Unfortunately, for me, the pace is tedious and the themes aren't compelling enough to keep me spellbound. It's more than a tale of discovering a new world or new culture (for both sides); it's mostly a romance, which doesn't do much for me. Why? I'm not sure. Maybe because the pace was too draggy or possibly because I don't find Kilcher as Pocahontas all that captivating. Don't get me wrong, she's excellent in the role; I just don't find her anything to go ga-ga over, as Smith and Rolfe do in the story.

One problem I have with the movie is the ridiculous romanticizing of the Natives as super-virtuous. Exhibit A is when Smith reflects in a voice-over: "They are gentle, loving, faithful, lacking in all guile and trickery. The words denoting lying, deceit, greed, envy, slander, and forgiveness have never been heard. They have no jealousy, no sense of possession."

_Why sure!_

If the Indians had no sense of possession why did they attack the settlement when the Englanders failed to leave the next Spring? Why were tribes in regular warfare all over the Americas? Are we to believe not one of the Natives knew what a lie was? Or jealousy, envy, greed and slander? I get that the naturals weren't yet defiled by European-styled urbanization, but to suggest the above is pretty absurd. You can't tell me there wasn't a brave or two who had his eyes on young Pocahontas and felt a "smidgen" of jealousy when Smith stirred her romantic interests.

The only way I can get past such nonsense and enjoy the movie is the fact that the voice-over in question was SMITH's idealized, romanticized perspective of a people with which he was enamored. In other words, it wasn't reality; it was his temporarily clouded opinion.

BOTTOM LINE: "The New World" will be more appreciated by those who enjoy arty romantic films. For me, I'm in the middle: I see the good of the film -- even the greatness -- and value it, but I can't deny the film's shortcomings as far as a viewing experience goes. Regardless, it's great to be able to go back in time and visualize how it was when the Jamestown colony was established, highly romanticized as it is portrayed here.

The film runs 136 minutes (long enough) and the extended cut 172 minutes.

GRADE: C+

So, The New World… where do I start? It’s visually great. The way Malick captures the connection between the tribes, nature, and the land makes it easy to get lost in the world he’s building. But the story? Yeah, it could’ve used some serious work.

The first act kicks things off strong. You get this detailed look at the tribes and their initial encounters with the English colonists. There’s this whole adventurous vibe, like you’re about to watch an epic exploration story unfold. But then the movie pivots hard into the second act and starts focusing on Captain John Smith and Pocahontas. Okay, I get it, their relationship is important, but it feels like the broader story gets pushed to the side. And then halfway through that act, Captain Smith is out, and suddenly it’s all about Pocahontas and her new romance with John Rolfe. By the time we hit the final act, it’s entirely about Pocahontas, her life in England, and her trying to find her place in this new world. The whole movie feels like it keeps changing its mind about what it wants to be.

That’s where it lost me a bit. What started as this epic about cultures clashing and survival turns into a love story, and then into a drama about identity and loss. Don’t get me wrong, the individual pieces are interesting, but together? It’s messy. It feels like Malick didn’t know what direction to take the story, so he just went with all of them. The plot kind of fizzles out—like, what’s the point of it all? The English colonize the land, force the indigenous people to adapt, and then it ends with Pocahontas raising a kid with an Englishman in England.

Now, to be fair, the production is stunning. The costumes, the set design, the overall atmosphere... Even though I’m no expert on the tribes or their customs, the emotional connection is there. You can tell a lot of care went into making this world feel real. The cinematography is next-level. Malick knows how to make every shot look like a painting, and that’s something I appreciated even when the story wasn’t holding my attention.

But ultimately, while the movie’s storytelling style works, it’s dreamy and poetic, the overall plot just needed more focus. It starts as one thing, shifts to another, and ends as something else entirely. It’s like it can’t decide what it wants to say, and that’s frustrating because it had so much potential.

English

The New World (2005) Official Trailer - Terrence Malick, Colin Farrell Movie HD

The New World - Trailer