Dakota Fanning

Georgina Campbell

Olwen Fouéré

Oliver Finnegan

Alistair Brammer

John Lynch

Siobhan Hewlett

Hannah Dargan

Emily Dargan

Joel Figueroa

Thabile Michelle Hlongwane

Anthony Morris

Shane O'Regan

Jim Tighe

Zarima McDermott

Morgan Bailey-Rocks

Christian Bailey-Rocks

Éabha Connolly

Hannah Howland

Kya Brame

Ffion Haf

Shannon Antonia

Kofi De Graft Jordan

Charles Camrose

Charlie Mann

Jacob Greenway

Andrea Bechis

Cara Steele

Seán T. Ó Meallaigh

Diarmuid de Faoite

Ann Marie Horan

Niamh McHenry

Stephen Dembitzer

Robert Flood

Ian Adams

Annabel Cleary

Rebecca Dealy

Louise Kiely

Sharon Cronin

Ann Kutzer

Nigel Pollock

Ferdia Murphy

Cathy Hegarty

Galo Dominguez

Jack Eustace

Daithí Quinn

Erin Hermosa

Simon J. Willis

Nenazoma McNamee

Ciara Erskine

Mason Barksdale

Jil Turner

Oisin McDermott

Jack Mulligan

Eimear Ennis Graham

Vasyl Gudz

Eimear O'Grady

Brian Dungan

James Culloty

Jeanette McGrath

David Qualter

Greg McGuinness

John Higgins

Cormac O'Maille

Darragh Scott

Karen Scully

Matthew Streatfield

Shauna Griffith

Michael Hatzer

Paul Kiernan

Calvin Phillips

Cian McCormack

Robert Ryder

Richard Lacey

Job ter Burg

Abel Korzeniowski

Eli Arenson

Frank Gallacher

Nimitt Mankad

Jo Homewood

M. Night Shyamalan

Ishana Night Shyamalan

Ashwin Rajan

A. M. Shine

Zoë Gibney

Belinda Roche

Raina Moore

Gary McGinty

Gavin Murphy

Lynn Johnson

Nick Irving Allen

Courtney Kolloff

Jade Scopes

Luke Harty

Sevlene Roddy

Sean Garnhart

Paul Lucien Col

Francis Gauthier

Mathieu Malard

Stephen Kirk

James Bowman

Fred Brandon

Aoife Bailey

Enda Doherty

Ryan Del Duca

Jill Purdy

Jeremy Beadell

Patrick Horne

Murtha Davis

Jo Caron

David Lebensfeld

Erik Paynter

Guillaume Beauron

Samuel Gagnon-Thibodeau

Joseph Vincent Pike

Orlaith Doherty

Mahmoud Aldachan

Mark Filip

Craig Crawford

Sebastián Eyherabide

Guillaume Marien

Charlotte Carway

Susan Jacobs

Sophie MacHenry

Jo Halpin

Fantasy

Horror

Mystery

The Watchers

Blinding Edge Pictures

Inimitable Pictures

Fís Éireann/Screen Ireland

United States of America

Ireland

A real disappointment.

<em>'The Watchers'</em> holds some promise with its premise, though unfortunately it never really clicks into gear - in my opinion, at least. In fact, the longer it went on the more bored I felt whilst watching. I was waiting for the arrival of the end credits, which I thought were coming after 'the event' seemingly ends... yet the film still goes on for a little while yet.

No-one on the cast did anything that could save this, either. Olwen Fouéré is decent, her character starts off fairly interestingly but by the conclusion I didn't really care for her either. The only positive I have for this 2024 flick is the score, which actually is quite good. Aside from that, this Ishana Night Shyamalan directorial debut underwhelmed me a lot, sadly.

CinemaSerf

Now my Irish geography isn't brilliant, but even I know that to drive from Galway to Belfast takes about four hours and does not involve any forest tracks. Nevertheless, pet shop worker "Mina" (Dakota Fanning), who is still coming to terms with a not very recent tragedy, sets off with her rare yellow bird only for her car to break down in the middle of an ancient forest. With no phone reception, she decides to leave her car and taking the caged bird with her, proceeds to wander through the trees shouting help! Pointless? Well no, as it happens, because she luckily encounters "Madeline" (Olwen Fouéré) who lives in a large concrete bunker with "Daniel" (Oliver Finnegan) and "Ciara" (Georgina Campbell). It appears that they have all been stranded in the woods and take shelter after sunset from the "watchers". These are mysterious creatures who like to come and watch their guests, via a great big one-way mirror, for a while each night. "Mina" is determined to escape and with the help of "Daniel" reckons she has a plan, but this just irritates their captors to the point that their "coup" is no longer safe. Hey, but wait - there's a submarine hatch in the floor, and when they go down they discover a lot more about who their enemy are, what they want and just who built this equivalent of a nuclear fall out shelter under the trees. Can they use this information to escape the trap and make it to freedom? At times it is quite menacing with their dark and wooded surroundings adding a degree of malevolence to an antagonist that we never really see and whose Gaelic mythological provenance is disappointingly undercooked. It has a go at ending a few times, but then comes back to add a little more to signal what I thought was that there'll be a sequel along shortly, rather than finish the adventure completely. It's not terrible, and Fanning delivers adequately - as does the gorgeous yellow bird, but you'll never remember it.

The Watchers marks Ishana Night Shyamalan's directorial debut, with her father, M. Night Shyamalan, serving as a producer. For her first feature film, Ishana adapts the book The Watcher into a movie. The story centers on Mina, a U.S. immigrant living in Ireland, who works at a pet shop. She is sent to the countryside to make a delivery, only to find herself stranded in the middle of a forest. Seeking refuge, she discovers an old building with three walls and a window. She meets three other people who inform her that she cannot leave because 'The Watchers' are always watching and keeping them there.

The visual style of the film is impressive, showcasing Ishana Night Shyamalan's potential as a director. The atmospheric setting of the forest and the eerie, partially ruined building effectively create a sense of isolation and tension. 

Despite its strong visual elements, the story itself falls short. The plot feels longer than necessary, with certain elements that don’t always make sense. The pacing drags in places, causing the suspense to wane rather than build.

The acting is another weak point. The performances come across as stale, with characters making choices that often seem illogical and uninspired. Mina’s interactions with the other stranded individuals lack depth and emotional resonance, making it hard to connect with her plight. The other characters also fail to leave a lasting impression, contributing to the overall sense of disengagement.

The themes of isolation and surveillance have the potential to be compelling, but they are not fully realized in this film. The concept of being constantly watched by an unseen force could have been used to create a more intense psychological thriller. However, the execution falls flat, resulting in a narrative that feels disjointed and unconvincing.

Overall, The Watchers is a visually striking film that ultimately fails to resonate on a deeper level. While Ishana Night Shyamalan shows promise as a director with her ability to create atmosphere and tension, the film is let down by weak performances, a disjointed story, and lackluster character development. It’s a forgettable film that doesn’t leave a lasting impact. However, I am looking forward to seeing Ishana’s next directorial outing, hoping she can build on her strengths and deliver a more cohesive and engaging film in the future.

Has some interesting elements here and there but despite some decent direction by Ishana Night Shyamalan (daughter of M. Night) and a solid enough performance by Elle Fanning, it doesn't quite come together and not a whole lot that I found thrilling or scary. The final 20-minutes or so also didn't work very well either. As a whole it's a run-of-the-mill supernatural horror film that if not for the director this would've been dumped on Netflix. **2.5/5**

Dean

Interesting movie, with interesting ending. Unique in its own way. I liked it, was really good. No progapanda and agenda, thank god.